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Sample essay topic, essay writing: Lord Byron - 1673 words

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.. ation of the infamous Hell fire Club of fifty years before. It was a sort of elaborate Halloween party. (Bonic Bibliography www.jamm.com)He fought a battle with obesity as well and often starved himself eating only one small meal per day. He seemed obsessed with food, as well as being a picky eater.

His letters to others as well as his journals, indicate that he practiced starvation. In his overnight success with the epic poem Childe Harold's Pilgrimage (1812) which led Byron to remark later that 'I awoke and found myself famous.' When I read these lines from 'To the Ocean' (From 'Child Harold's Pilgrimage') It reveals a man who's very soul is tormented suffering from his own inner pain. ..There is a pleasure in the pathless woods,There is society, where none intrudesBy the deep sea, and music in its roar:I love not man the less, but nature more,From these our interview, in which I stealFrom all I may be, or have been before,To mingle with the universe, and feelWhat I can ne'er express, yet cannot all conceal.. (Byron, George Gordon- Lord Byron www.cc.gatech.edu/people/home.edris/Poetry/Byron.h tm).The long poems that followed sold well and enhanced his reputation for being daring and dashing. The young bachelor had romances with several women many of them married. One of the women remarked that he was 'mad, bad and dangerous to know.' There waspeculation that he had an incestuous affair with his half-sister, Augusta Leigh

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This idea is furthered by themes of incest and forbidden love that appear in several of Byron's poems. In the poem Manfred, he writes of the hero's love for a woman who 'like me in lineaments; here eyes / Her hair, her features, all, to the very tone / Even of here voice..were like to mine.' This is apparent in the line Byron wrote in 'Lara' 'His madness was not of the head, but heart.' (Neurotic Poets P. 1-2 http:/sers.ids.net~bdragon/poets/byron.html) Br illiant, reckless, debauched, extravagant, handsome, Lord Byron was in the words of Matthew Arnold the 'romantic hero at odds with the world and calling on all sympathetic readers to view the pageant of his bleeding heart. 'Famous/infamous in his own time, he left England after divorcing his completely respectable and entirely incompatible wife never to return. He wandered Europe fighting for freedoms and tang his loves where he found them.

The correspondence and journals of Byron fill six volumes, and his letters have been described as 'wildly exclamatory, heavily underlined, with pages blotted and blistered with tears. Here is just one of the many love letrs he had written to a young women he had fallen in love with and lost to another. This love letter is of Teresa, Countess Guiccioli, at sixteen had married an old and wealthy Italian nobleman. She was golden-haired, poised, well-read, and gentle. In819, when she was eighteen and he thirty-one, Byron met her and fell passionately in love. The affair created quite a scandal.

No one was surprised that she was married, it was expected that Italian women had affairs. However, Byron stayed in her housalong with her husband, shocking society. Byron's style of writing with his heart is very apparent here is this love letter.'My destiny rests with you'Bologna, August 25, 1819 My Dearest Theresa, I have read this book in our garden: my love, you were absent, or else I could not have read it. It is a favorite book of mine. You will not understand these English words, and others will not understand them, which is the reason have not scrawled them in Italian.

But you will recognize the handwriting of him who passionately loved you, and you will divine that, over a book that was yours, he could only think of love. In that word, beautiful in all languages, but most so in youAmor mio is comprised my existence here and thereafter. I feel I exist here, and I feel that I shall exist hereafter, to what purpose you will decide: my destiny rests with you, and you are a woman, eighteen years of age, and two out of convent, I wisyou had stayed there, with all my heart, or at least, that I had never met you in your married state. But all this is too late. I love you, and you love me, at least, you say so, and act as if you did so, which last is a great consolation in all events.

But I more than love you, and cannot cease to love you. Think of me, sometimes, when the Alps and ocean divide us, but they never will, unless you wish it. (Lord Bryron letters P.1 www.rjgeib.com/throughts/byron/byron.html One of Byron's most well know long poems was 'Don Jaun' the story of Don Juan first appears in an old Spanish legend concerning a handsome but unscrupulous man who seduces the daughter of the commander of Seville and then, when challenged, kills her fher in a duel. The poem begins 'I want a hero'; that is, ' I need a hero for my story.' Why given the glimpse of the time that we are given in stanzas 1and 5, why is finding a hero in this age difficult? Byron's Don Juan is possible a parody of the rontic hero acted upon rather than active, putty in the woman's hands, terrorized by her outraged husband, caught in comical situations that strip him of any supposed dignity. but if he's not the kind of hero to be feared and respected, is there neverthess something attractive about him? And is he in part likable for the very things that make him not a traditional hero? If so, is there a positive side to 'wanting' a hero? Also is should be noted that in stanza 1 the pronunciation of the hero's name ymes with 'newone' and 'trueone.' Byron clearly expressed his own life in his version of Don Juan in turning the anti-hero into a hero. Much of Don Juan seems to reflect Byron's own life and interpretation of himself.

There's some pretty unkind satiin Byron's treatment of the educated woman (Although Byron denied any connection, certain aspects of this sections seem to reflect Byron's attitude to his wife, from whom he separated after one year of marriage.) Note the way that Byron uses bad rhymto make for of Donna Inez and to ridicule her seriousness( 'so fine as' to rhyme with 'the brain of Donna Inez'; intellectual' to rhyme with 'hen-pecked you all.') Part of the humor derives from the apparently-common assumption that the educated and inllectual woman will be aggressive and domineering. Remember that Mary Wollstonecraft, in arguing for a better education for women, felt it necessary to reassure her readers that they need not fear that women would then become 'masculine.' Byron exposes the contradiction of elevating the classics as an important part of education, yet then being embarrassed by the sexual component in ancient myth and epic. In stanza 40, Byron has fun with an even more ridiculous aspect of repressive edution: The Classics are published in different versions, in which any lines with sexual references in them are removed from the text, so that the text may be taught to schoolboys without the fear of corrupting them. But we are then told that, in respecfor the great writers, the editors put all the censored lines in a appendix at the back of the book--thus giving the schoolboys a concentrated bit of pornographic reading in one dose. (Don Jaun, Canto I http://citd.scar.utoronto.ca/English/ENGBO2Y/DonJn .html).

I believe this was coming straight from his own sexual abuse by May Grey when he was a young schoolboy. It was his way of protecting younger boys from the same early sexual knowledge he had been exposed to. I can see many displays in Don Juan that would suggest Lord Byron wrote about his own experiences in life. Here is yet another good example to show his inner pain being directly related to himself. In stanza 61 Donna Julia is presented with a mixture sincerity and fun.

The elevated though rather conventional praise of the woman's beauty is suddenly deflated by the sudden lowering of tone in the last. The comic reversal, however, makes fun not of Donna Julia but of the poet, laughing at the lover'tendency to idealize (and at the embodiment of such idealization in the love sonnet) and bringing love down to a matter-of-fact human level. Donna Julia herself, however, still follows the pattern of the idealized heroine. Donna Julia is portrayed to be pretty, gentle, sweet, sexually-attractive and even sexual responsive but also passive, submissive, self-sacrificing, and accepting of herate to the point of victimization. In the early episode, Donna Julia breads somewhat out of this role by being the older (23 years old!) married woman and not the innocent girl. Byron thus somewhat reverses gender roles and has the sexually mature woman take a me active role in seducing the naive and innocent young man. (Don Juan, Canto I http://citd.scar.untoronto.ca/English/ENGBO2Y/DonJ uan.html). I believe that Lord Byron was expressing is own pain of the sexual abuse he endured bMay Grey at school in his earlier childhood in the character Donna Julia.

So in my opinion of all I have discovered about this literary poet is that Lord Byron was not born with a talent for writing poetry. He however did write from his own heart. Whh is what a truly brilliant poet must do. Had he not have been exposed to physical and sexual abuse in his youth. I feel there is a good possibility he would have never written a single poem He would have had a different profession altogether along wh an entirely different life style.

The world was blessed with the many poems of Lord Bryon but only through the suffering of another human being.

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