Arthur Miller's First Success On Broadway example essay topic
Simply and colloquially written, Miller's plays spring from his social conscience and from his compassion for those who are vulnerable to the false values imposed on them by society. Born in New York City, Miller was the son of a coat manufacturer who suffered financial ruin in the Great Depression of the 1930's. In 1938, while a student at the University of Michigan, Miller won awards for his comedy The Grass Still Grows. The Man Who Had All the Luck, although not a commercial success, won him the Theater Guild Award that same year. Miller's novel (Hogan, Robert Goode, "Arthur Miller,'. Minneapolis, University of Minnesota Press 1964.) Focus (1945), an attack on anti-Semitism, was well received, and the New York Drama Critics' Circle chose his play All My Sons as the best play of 1947.
This study of the effect of opportunism on family relationships shadowed most of Miller's later work. With the Death of a Salesman during the winter of 1949 on Broadway, Arthur Miller began to live as a playwright who has since been called one of this century's three great American dramatists, along with Eugene O'Neill and Tennessee Williams. (Murray, Edward. "Arthur Miller, dramatist'. New York, F. Ungar Pub. Co.) There have also been other powerful, often mind-altering plays: The Crucible, A View from the Bridge, A Memory of Two Mondays, After the Fall, Incident at Vichy, and The Price.
There was the film The Misfits and the dramatic special Playing for Time. (Huftel, Sheila. [1st ed.] New York, Citadel Press) Death of a Salesman was not Arthur Miller's first success on Broadway. Two years before, when his All My Sons opened at the Coronet Theater, Brooks Atkinson of the New York Times wrote: "The theater has acquired a genuine new talent. ' The play also won the New York Drama Critics Circle Award and the Donaldson Award. Miller has since noted: "The success of a play, especially one's first success, is somewhat like pushing against a door which is suddenly opened that was always securely shut until then.
For myself, the experience was invigorating. It suddenly seemed that the audience was a mass of blood relations, and I sensed a warmth in the world that had not been there before. It made it possible to dream of daring more and risking more. ' (Murray, Edward. New York, F. Ungar Pub.
Co.) He did dare and risk with Death of a Salesman. And, he gained more. In addition to winning the Pulitzer Prize and the New York Drama Critics Circle Award, he was catapulted into the realm of the great living American playwrights and also compared to Ibsen and the Greek tragedians. (Murray, Edward. New York, F. Ungar Pub. Co.) After having returned to New York in 1938, he joined the Federal Theater Project, but, before his first play had been produced, the Project ended.
He worked in the Brooklyn Navy Yard and wrote radio scripts heard on the Columbia Workshop and the Calvacade of America. He also wrote two books during this period: Situation Normal (1944) and Focus, a novel about anti-semitism (1945). (Huftel, Sheila. [1st ed.] New York, Citadel Press) He had not, however, given up play w righting. In November, 1944, his The Man Who Had All the Luck opened on Broadway but proved to be unlucky. Its favorable reception disheartened Miller, and he decided he would write one more play.
If that were not successful, he would give up. In 1947 he wrote All My Sons, his first real success, which established him as a significant American playwright. The Crucible his 1953 Broadway hit, which won a Tony Award, was about witch trials and hangings in 1692 Salem, Massachusetts, but reflected the practices of the McCarthy era of the time it was written. The autobiographical tone of After the Fall in 1964 also evoked controversy as well as praise.
His knowledge of the Brooklyn waterfront helped to form his characters in A View from the Bridge in 1955, and more of his native city came through in The Price about a New York policeman (1968). (Hogan, Robert Goode, "Arthur Miller,'. Minneapolis, University of Minnesota Press 1964.) Miller's later works include The Creation of the Word and Other Business (1972) and The American Clock (1980). Miller also wrote the script for Playing for Time the true-life dramatic special about the experiences of an all-woman orchestra in a Nazi concentration camp, which won four Emmy Awards following its television debut in 1980.
It received an Emmy an Outstanding Drama Special. Miller received one for Outstanding Writing. Vanessa Redgrave won as Outstanding Actress, and Jane Alexander, as Outstanding Supporting Actress. (Murray, Edward.
New York, F. Ungar Pub. In addition to his novels, Miller has written two books of reportage: In Russia and Chinese Encounters, both accompanied by photographs by his wife Inge Mora th, a professional photographer. His book Salesman in Being is based on his experience in China where he directed Death of a Salesman. (Huftel, Sheila. [1st ed.] New York, Citadel Press) In 1987, Miller published his autobiography Time bends: A Life, in which he recalls his childhood in Brooklyn, the political turmoil of the 1950's, and the later half of the century. Miller continues to write, winning the 1995 Oliver for his most recent play Broken Glass.
Minneapolis, University of Minnesota Press 1964.)
Bibliography
Hogan, Robert Goode, "Arthur Miller,'. Minneapolis, University of Minnesota Press [1964] Huftel, Sheila.
1st ed.] New York, Citadel Press [1965] Murray, Edward.
New York, F. Ungar Pub. Co. [1967].