Athenian Lysistrata And The Women Of Athens example essay topic
This is a comedy showing a powerfully women named Lysistrata, who is the lead character of the play. It portrays Athenian Lysistrata and the women of Athens teaming up with the women of Sparta to force their husbands to end the Peloponnesian War. To make the men agree to a peace treaty, the women seized the Stronghold, where Athens' money reserves are kept, and prevented the men from spending the rest of it on the war. After that, they basically fend off an attack on the money stronghold by the old men who stayed back in Athens while the young studly men are out on campaign. So when their husbands return from battle, the women refuse to have sex with them. This sex strike, which is portrayed in a series of (poorly) exaggerated and blatant sexual innuendoes, finally convinces the men of Athens and Sparta to agree to a peace treaty.
The Lysistrata shows the women of Athena acting bravely and even aggressively against men who seem insistent on ruining the city-state by prolonging what the women feel is a pointless war and excessively expending reserves stored in the Acropolis. All of this in turn added to the breakdown of their family life by staying away from home for long stretches while on military campaign. In between fighting the men would come home when they could, sexually relieve themselves, and then leave again to continue a senseless war. This plays in showing how the women challenge the masculine role model to preserve the traditional way of life of the community. Somehow when the women become challenged themselves, they take on the masculine characteristics and attitudes and defeat the men physically, mentally but most of all strategically.
They prove that neither side benefits from it, just that in the end one side loses more than the other side. It's easy to see why fourth century B.C. Athenian women would get tired of their men leaving. Most Athenian women married in their teens and never had to be on their own, and probably wouldn't know what to do if they did land on their own. They relied on the men for support in all aspects of the word. When the men left for war, some wouldn t return because of death or being captured as prisoners. So now a widow finds herself on her own, probably with children, and no one to take care of her or her children.
If she was lucky she might be able to enter her male children as a journeyman / ward to a wealthy family (who either have no male children, or most likely lost their son (s) in one of the wars) that will raise him. The widow has few prospects. The lucky ones, if pretty, young and attractive enough might be able to remarry. But her lot isn't too promising.
She maybe could have the old men left back in town or hope someone would want a widow. Most men probably wouldn t when you could get a fresh new one. According to Lysistrata it is easier to solving world peace, politics stop wars and fighting than the women's work of sorting out wool. If you just stop war, it's settled, but with wool all tangles must be physically labored out by hand. She is showing that women's work is never done. Lysistrata insists that women have the intelligence and judgment to make political decisions.
She came by her knowledge, she says, in the traditional way: "I am a woman, and, yes, I have brains. And I'm not badly off for judgment. Nor has my education been bad, coming as it has from my listening often to the conversations of my father and the elders among the men". Lysistrata was educated in the typical style, by learning from older men. Her old-fashioned training and good sense is what really allowed her to see what was needed to be done to protect the community. Like the heroines of tragedy, Lysistrata wants to put things back to the way they were.
For her own physical need as well. To do that, however, she has to become a sort of revolutionary using sex as her weapon. And what woman wanted to give up sex Ending the war would be so easy that even women could do it. Aristophanes is telling Athenian men, and Athenians should concern themselves with preserving the old ways, lest they be lost. Viewing this play through the eyes of a woman mocks man's preference for fighting.
What started this was Lysistrata, feminist champion over war through peace. The idea of role reversal was as funny to the Athenians as a black President is to most Americans. In that time culture was such that each gender had very defined roles, and there really wasn't any room for leeway and everyone knew that and to buck that system was unheard of. Women were property. Something beautiful to own, to gaze upon, to fulfill your sexual needs and desires and to bear and raise your children in the appropriate cultural aspect. Except for sex and the family element, women really didn t have a say in any social or political ideals.
To even consider putting a woman into any position where she would be required to think, or to make decisions outside of the home was laughable. This was indeed a man's man world. This is the basis of their humor. Role reversal was true humor because to imagine a one-dimensional woman in a multifaceted role was just insane.
It's just like in America, yes a black man could become President, but do you think that would really happen Hell would freeze over twice. Whether a Lysistrata could have existed is really pointless. The point is that it never would have happened. In the opening scenes of the play Lysistrata says, "I'm furious with women and womankind. Don't all of our husbands say we are not to be relied upon Don't they think we are such clever villains" The women don't like the fact that the only power women have had over men from the dawn of time (and until the end of time) is to withhold sex.
It's like all woman are basically just here for man's need and his beckon. That is their destiny, their fate, to please men, at all costs. We see this illustrated at the start of Act Two. Holding-out started to become a serious internal conflict. The women started to mutiny.
They started making up all sorts of reasons and excuses to leave the Acropolis. All through the play there is a heavy sexual connotation, but here the excuses are very unbelievable. The underlining notion of returning home is also not specifically because of their "sex-starvation", but from the burden of guilt for being away from their family, their chores and their domestic responsibilities. Athenian women are after all not just defying their husbands but ultimately the whole Greek culture of the times in which they lived.
They had a place, and status quo demanded they assume it. Does history really repeat itself Even in our modern times of today women still are seen as unequal, but in a modern stealth way. Basically, War is a man business.