Beauty Myth example essay topic
Any land or money that was in a woman's possession was given to her father or husband. Women have stayed at home working as housewives, cleaning house, and taking care of children. Of course, there have been women who have worked outside of the house, but Woolf sees that kind of work as enslavement. Not much money was made, and not many occupations were open to women. '. what still remains with me. was the poison of fear and bitterness which those days bred in me. To begin with, always to be doing work that one did not wish to do, and to do it like a slave,' (Woolf 348). Therefore Woolf concludes that women need to be independent from men, and in order to do so women need to have money of their own.
This statement is without a doubt biased, as Woolf is limiting her thesis to those women who have an income without working. Consequently, working women can never really be liberated. One may ask why women have been the poor ones. Why have women been dependent on men, and not men on women? Why haven't women been able to thrive and prosper like men have? The answer lies in the fact that men blow themselves out of proportion.
Woolf's theory is that women have been seen as mirrors. 'Women have served all these centuries as looking glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size,' (Woolf 346). Because men see women as inferior, men feel superior. If a woman were to stand up for herself and lessen the power of the looking glass, men wouldn't have the feeling of predominance that they occupy now. 'The looking-glass vision is of supreme importance because it charges the vitality; it stimulates the nervous system. Take it away and man may die,' (Woolf 347).
Without the mirrors to boost a man's self-assurance, he won't have anything to compare himself to, and his blossoming ego will diminish. In her speech, Woolf was asked to talk about women and fiction. She resolved that without money nor education, women would not be able to create fiction. Which is why, in the Elizabethan era, women did not generate any sort of poetry. Woolf pondered over this for a while, and hypothesized that Shakespeare had an ingenious sister, Judith. Judith had the imagination and ability to produce creative works just like her brother.
However, Judith never had any education so she wasn't able to thrive. In short, the story goes like this: Judith's father arranges a marriage for her, Judith runs away from home and goes to the city, she tries to live out her dream and act, she gets laughed at, she has an affair, and then Judith kills herself at the crossroads. The fact that Judith kills herself at the crossroads has great symbolism. The crossroads represents choice. The choice is that one can go along with her potential and be who she wants to be, or she can go along with the flow. Even though this choice is existent, it is extremely improbable.
As Woolf states, 'it is unthinkable that any woman in Shakespeare's day had had Shakespeare's genius. For genius like Shakespeare's is not born among labouring, uneducated, servile people,' (Woolf 353). Women have never had the opportunity to produce poetry because they have never been given the freedom they need to do so. Because women have always been poor and reliant on men they are lacking the two things needed to bring about such creative writing. 'Women have had less intellectual freedom than the sons of Athenian slaves. Women, then, have not had a dog's chance of writing poetry.
That is why I have laid so much stress on money and a room of one's own,' (Woolf 354). Shakespeare's sister is still alive in all women. We all have the chance to make that choice that Judith left us at the crossroads. All we need to do is have money and a room of our own, or in other words, economic independence and freedom. We need to break away from the traditional lives woman lead and set Shakespeare's sister free. While Virginia Woolf placed her emphasis on the truism that women need to be given economic independence, Naomi Wolf looked at the certitude that any feminist ic advances women have made have been hindered by the beauty market.
' [Women] who can enjoy freedoms unavailable to any women ever before, do not feel as free as they want to,' (Wolf 9). The diet, makeup, and hair care industries are prospering more than ever. Women are so obsessed with their physical appearance that they would spend any amount of money necessary to 'fix' themselves up. 'More women have more money and power and scope and legal recognition than we have ever had before; but in terms of how we feel about ourselves physically, we may actually be worse off than our un liberated grandmothers,' (Wolf 10). Women have always had a beauty image to follow. It has changed over the years, but it has always been apparent in our society.
The image has grown from the voluptuous woman, to the happy housewife, to the youthful, emaciated model. Wolf describes the beauty myth as 'a violent backlash against feminism that uses images of female beauty as a political weapon against women's advancement,' (Wolf 10). The beauty myth is controlling women. We have finally broken away from being a mirror to men, but haven't been able to reach full independence because we are heeding to the demands of the beauty industry. Wolf believes the beauty myth comes from politics and economy. She labels beauty as a 'currency' as it is always changing.
The beauty myth is causing society to act in a certain way. As Wolf states, 'The beauty myth is always actually prescribing behavior and not appearance,' (Wolf 14). Beauty causes women to compete with one another, causing the self-esteem of women to decline dramatically. We are defenseless to the outside world, cautious of the opinions of other people.
How can women be free, if deep inside their dignity is being hacked away by the growing industry that is constantly telling us we are fat and ugly? Is this freedom? Are women really free? No, the stereotypes of women are obstructing our capacity to be free. According to Wolf, the beauty myth flourished after the Industrial Revolution. 'The rise of the beauty myth was just one of several emerging social fictions that masqueraded as natural components of the feminine sphere, the better to enclose those women inside it,' (Wolf 15).
Before the Industrial Revolution women were valued for their skills and fertility. Because of the Industrial revolution, images of beauty were able to circulate and women saw what they were supposed to look like. Another major event that occurred was the fact that men went out to work and women stayed at home. Women were allowed to consider different issues with the time they were given to stay at home. Women realized that they wanted to have the same rights as men. They didn't want to stay at home any longer.
Thus, men became extremely alarmed. Women were challenging the mirror that men used for self-confidence. The men's power structure was in danger. They had to think of something to occupy women, and they had to do it quick.
'By using ideas about 'beauty,' it reconstructed an alternative female world with its own laws, economy, religion, sexuality, education, and culture, each element as repressive as any that had gone before,' (Wolf 16). Because possibilities for women have skyrocketed, men are more panicky than ever before. Women feel guilty for taking the jobs away from the men. This gives way for the beauty myth to trap women into its appalling pitfall.
In order to stop this developing terror, society needs to stop and look around for a moment. Real beauty is not what society says it is. Women around us do not look like the anorexic models on television. In order to put a stop to the beauty myth we need to look for real beauty in real people. Beauty is diverse; there isn't one universal conception of beauty. We need to develop many images of beauty; we can't just have one.
As Wolf says, 'It is the readers themselves who sill write the final chapter of The Beauty Myth,' (Wolf 6). Being a teenager in today's society, I have seen the way women are dependent on men, and I have been a victim of the beauty myth. Of course, in today's society, women are starting to branch out and be independent, but the beauty myth is still going strong. I have gone through periods of depression feeling heavy and ill looking. I have seen the way my friends rush to the store and buy diet pills. Most of my class wastes half an hour in the morning delicately applying makeup, trying to hide any imperfections.
We try to appear like the people we witness on television. As I was writing this paper, an ad for a 'Jenny Jones Weight Loss' program came on. Lose nineteen pounds for nineteen dollars, Jenny Jones promises. And a couple days ago heavier people were protesting an ad 24-hour Fitness had exhibited, 'When the aliens come, they will eat the fat ones first. ' Even my nine-year-old sister wonder why her stomach sticks out, she wonders what she can do to be thinner. It's affecting the younger generation.
On the other hand, I look at my mother who is successful. She is a single mother who works in a predominantly male occupation, raising three children on her own. In some ways women have progressed, in some ways women have digressed. As women, we need to crack the mirror Virginia Woolf indicated as apparent in our domain. We need to set Shakespeare's sister free, and make the choice to have money and a room of our own. And as Naomi Wolf presented, we need to look for diversity in beauty.
We need to become aware of the decrease in self-confidence that is happening in women, and do something about it. While it certainly is not going to happen today, or even tomorrow, on behalf of all women, I hope it happens soon.