Beginning Of The Play Willy example essay topic
Willy runs in to some tough times, and is constantly asking his friend Charlie for money. Charlie has offered Willy jobs on several occasions, and Willy constantly refuses. : CHARLEY. I offered you a job. You can make fifty dollars a week.
And I won? t send you on the road. WILLY. I? ve got a job. CHARLEY. Without pay? What kind of a job is a job without pay?
Why don? t you want to work for me? WILLY. What's the matter with you? I? ve got a job. CHARLEY. I am offering you a job.
Smelser, 2 WILLY. I don? t want your goddamn job. (1683) Willy is still determined to achieve his dream in his own way, as a salesman. He refuses to earn it any other way.
Even in death he endeavored to achieve his dream by dying the death of a salesman. Biff Loman is a dynamic character, because unlike Willy he eventually realizes the unfairness of society. In the beginning of the play Biff is much like his father, living in the world of, ? if you work hard you? ll achieve the American Dream.? Biff is supporting his father in his dream world.
Eventually Biff runs into some difficult times; he can? t hold down a job, and he no longer trusts his father. On the day following the sporting goods store incident, he realizes the flaws in his father's dream. That day he fails to get the loan, the man, Oliver, who had loved Biff did not even recognize him. The following day Biff cursed Willy for being a fool and a dreamer.
He states, ? You? re going to hear the truth-what you are and what I am! Pop I? m a dime a dozen, and so are you! I am not a leader of men, Willy, and neither are you. You were never anything but a hard-working drummer who landed in the ash can like all the rest of them! Willy you take that phony dream and burn it before something happens??
(1703) Biff is upset with his father for being so arrogant and unrealistic. He wants Willy to realize that they are not leaders or rich men and to understand that is okay. Biff had it with Willy filling him up with hot air. By the end of the play Biff had gained this understanding, and in this aspect had changed. He matured to realize the faults of his ways.
Smelser, 3 Happy Loman was also a dynamic character. At the beginning he was less renowned than Biff, he usually was in Biff's shadow. He was constantly trying to get attention from his father. He once states, ? I? m losing weight, you notice, Pop??
(1647) He does everything he can to get acknowledgement from his parents but it usually fails. HAPPY. I? m gonna get married, Mom. I wanted to tell you. LINDA.
Go to sleep, dear. (1668) But, throughout the play it is Happy that is successful, more popular, and it is he who has all the women; there is not a woman in the world he could not have. Linda Loman was the most perfect example of the static character. It seemed as if her primary purpose in the play was to support Willy. She is constantly making excuses for him.
WILLY. I suddenly couldn? t drive any more. The car kept going off onto the shoulder, y? know? LINDA.
Oh. Maybe it was the steering again. I don? t think Angelo knows the Studebaker. WILLY.
No, it's me, it's me. Suddenly I realize I? m goin? sixty miles an hour and I don? t remember the last five minutes. I? m- I can? t seem to-keep my mind on it. LINDA. Maybe it's your glasses. You never went for your new glasses.
(1638) She doesn? t want him to blame himself for anything, she continuously strives to put him on a pedestal. Even when he is blaming himself, she tries to redirect the blame. This is consistent in her character throughout the play. Smelser, 4 The characters in the Loman family are evenly balanced in the aspect of their static and dynamic characteristics. Willy and Linda are static; Willy does not deter from his American Dream rationale, and Linda does not stop putting him on a pedestal. Happy and Biff are the dynamic characters; Happy becomes the more successful and more well-liked, while Biff becomes the spitting image of his father, eventually realizing his father's faults.
Arthur Miller does a wonderful job of keeping a balance between static and dynamic characters within Death Of A Salesman.
Bibliography
Work Cited Miller, Arthur. Death of a Salesman. Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X.J. Kennedy and Dana G iola. 7th ed. New York: Long ham, 1999.1636 – 1701.