Bigger Thomas From Native Son example essay topic
The characters in Wright's works, including Bigger Thomas from Native Son, are not all pure in heart; the characters have psychological burdens and act upon their burdens. For instance, Bigger Thomas, long under racial oppression, accidentally suffocates Mary Dalton in her room for fear that he will be discriminated against and charged with the rape of Mary Dalton. Also, according to Pinckney, although the characters of Wright's books are under these psychological burdens, they always have "futile hopes [and] desires". At the end of Native Son, Bigger is enlightened by the way his lawyer Max treats him, with the respect of a human being. Bigger then desires nothing but to live, but he has been sentenced to death.
Although Pinckney expresses many strong points in his critical essay, he also reveals weak points. For example, Pinckney mentions that Wright is neither a black leader such as Malcolm X nor a writer with any strong background in American literature, yet Pinckney implicitly states that Wright is a great writer and that one must analyze his past to understand how he is a great writer. In that perspective, he also commends Wright's book, Native Son. He states: Native Son is unmatched in its power... It is not true as Baldwin claims that Bigger Thomas, the doomed, frustrated black boy, is just another stereotype... extreme in his wish to injure himself and do injury to others...
Pinckney praises Native Son as a powerful intellectual book that deals with issues of racism and oppression. He says explicitly that it is the most powerful book, but it is unclear what domain of books Pinckney is comparing Native Son with. Pinckney refutes James Baldwin's statement about Native Son, saying that Bigger Thomas is not a mere stereotype, but an example of a stressed black boy of the racially segregated American society during the 1930's. It is true that Bigger Thomas is a victim of a racially segregated society. He lives in the "Black Belt", the only area where blacks are allowed to inhabit. The area is a slum, but ironically, rents in that area are priced higher than everywhere else.
Bigger is a character, searching for a way to feel that he actually exists and is alive as a human being, not a subordinate creature under whites. Bigger feels unable to find a position in a world, where opportunities are not given generously to blacks. This frustrates Bigger, though he does not realize it until he comes into close contact with whites. He responds to stress and fear with anger and an impulse that has driven Bigger to his murders of Mary Dalton and Bessie. It is not true, as Pinckney argues, that Bigger Thomas is not just a stereotype. Bigger Thomas does not represent much more than the stereotypical African American living during the 1930's.
Bigger resides with his family - a single mother, younger sister, and a younger brother - in the slums of Chicago. His father is killed in a riot against the injustices to the black race. His mother is extremely religious in hope of deliverance and light in her life. His siblings have accepted their lives as they are. Bigger is part of a family that has the aspects fitting the stereotype of stressed characteristics of a black family living before the Civil Rights Movement. Bigger is a violent character.
He becomes violent, intent to hurt someone, when he is in anger or fear. For example, "Bigger [whirls] and [kicks Gus] hard" (Pg. 37) and continues to beat up Gus in order to hide his fear of robbing a white man's store. Bigger's "confused emotions [has] made him feel instinctively that it would be better to fight Gus and spoil the plan of the robbery than to confront a white man with a gun" (Pg. 42). He later shows this tendency in his murder of Mary Dalton, his desire to frame Jan, and the murder of Bessie. Bigger's actions in Native Son reflect stereotypes. One of such actions is his reluctance to take the job at the Dalton's in the beginning of the novel.
It characterizes him as lazy for he would rather "go to a movie, or go to the poolroom and talk with the gang, or just loaf around" (Pg. 13). In fact, the only reason he decides to take the job is because he had no other choice". [Bigger] could [either] take the job at Dalton's and be miserable, or he could refuse it and starve" (Pg. 12). He has great distaste for being trapped, but finally " [sighs] and [gets up] and... [gets] his overcoat" and goes to take the job. Another of Bigger's actions reflecting stereotype is his idealism that the white world is perfect.
A source of his idealism comes from the news". [Bigger sees] images of smiling, dark-haired white girls lolling on the gleaming sands of a beach. The background [is] a stretch of sparkling water. Palm trees [stand] near and far" (Pg. 31). With these types of images being fed to his mind, it is not a wonder why he thought that the white world was perfect. Later on his way to Dalton's, Bigger sees huge houses, "lights [glowing] softly in the windows" and " [cars] that [zoom] past on swift rubber tires" (Pg. 44).
In addition in a "cold and distant world... of white secrets", he " [feels] a pride, a certainty, and a confidence in [those] streets and houses", (Pg. 44) proving that the white world is not only perfect to Bigger, but also unfamiliar and unreachable. Bigger exhibits his idealism another time when he and Gus role-plays conversations between rich white men (Pg. 18-19). Bigger and Gus depict white men as stern, confident, and controlling, part of the perfect white world Bigger cannot penetrate. Bigger Thomas is plainly a character fulfilling the stereotype of blacks in the Black Belt. He becomes violent to hide any uncertainty or fear he feels. Bigger is characterized as lazy and feels as though he is trapped from freewill.
He also believes that the white world is beyond his reach. It is much more accurate for Pinckney to agree with Baldwin and to incorporate that Bigger "is a stereotype, extreme in his wish to injure himself and do injury to others" with the other points in his essay.