Comedy In Australian Movies example essay topic

The Australian film industry has been in business for the past one hundred years. The early movies such as Ned Kelly (the first Australian movie) focused more towards the history aspect of things, where as the resent films explore all different types of genres. The Genre is classified to be the back bone of any movie; hence I've decided to delve into "Comedy in Australian movies and how the issue is exposed with the aid of humor". 'The Wog Boy', 'Cracker Jack', 'The Castle', 'Kangaroo Jack' and' The dish' make up the movies I've decided to investigate.

The five movies had been pictured between the 90's and the 00's. "The Wog Boy" was filmed in the outskirts of Melbourne, this is evident because we can see the cars which contain the Victorian number plate and we see Actors, during the course of the movie entering a Night Club near St Kilda. "Cracker Jack" was a Super hit in the Australian Film industry in 2002. The flick was filmed in the heart of Melbourne at a bowls club in St. Kilda. This could be proven by having all the cars number plates displaying the Victorian Logo and the actual St. Kilda East bowling club itself. THE CASTLE was made in Australia, and it was an Aussie smash hit in 1997.

"The Dish" is the heights grossing film in the history of Australian Cinema, the movie was shot on a remote sheep farm in the rural town of Parkes, New South Wales, Australia. It was realised on the 11th of May 2001. The Dish" recently earned awards for Best Screenplay and Best Music from the Film Critics Circle of Australia. The last movie is the recent one of them all, it is yet to be realised on the big screens. Kangaroo Jack is mainly set in an Outback town of Alice Springs, yet the movie is a merged achievement between the Australian film industry and the Hollywood (big Boy). The story of "The Wog Boy" follows one man, Steve (Giannopoulos), who was teased in primary school as the Wog Boy ("Wog Boy!

Wog Boy! Wog Boy!" ) So he's kept the name ever since. His philosophy is, if it's a wog boy he is, then it's a wog boy he " ll be. When Steve is denounced by Darrin Hunch as Australia's biggest dole bludge r, he shrewdly manipulates the situation to his advantage on national TV in a clever scene of role reversion. In no time, children are rapping to Wog Boy tracks and packing snacks in Wog Boy lunch boxes. That is fundamentally the plot of the film -- Steve's rise to fame -- and for the climax a half-witted incident involving a ludicrous political scam to eliminate the dole is introduced to finish the piece off.

It quickly becomes evident that 'The Wog Boy' is not a plot-orientated film, but rather an extended collection of sketch comedy. This film is a noble effort to blend culture and humour together in a home-grown format (it feels very much Australian), although it clearly falls short. It explores the true identities of wogs and their behaviours. Under the restraints of stereotype, many characters are little more than walking talking jokes of the cultures they represent. Acting by Giannopoulos is what you'd expect, a constant loop of similar dialogue and actions that try desperately hard to maintain wog-ness. Cast: Nick Giannopoulos, Lucy Bell, Vince Colo simo, Abi Tucker, Stephen Curry, Geraldine Turner, John Bar essi, Derry n Hitch, Charles 'Bud' Ting well Director: Aleks i Vell is Producers: Nick Giannopoulos and Chris Anastassiades The hit Crackerjack was a movie that showed a lot of typical real true-blue Australian stereo type.

Crumpled thirty something office worker Jack Simpson (the droll Molloy) has a smart scam to supplement his income: he has joined the nearby City Side bowling Club and over the years scored three parking spots which he flicks for cash to those in need of inner-city parking. What Jack doesn't do is bowl, but when the club needs to make up a team to win prize money which will keep it afloat, Jack is rumbled. He has to don the whites and reluctantly join the team. After all many dilemmas Jack becomes a Hero. Behind the club's problems is ruthless property developer Bernie Fowler who wants to renovate the old building and install ponies, it causes many deviations between the club members. Most Australian comedies are inevitably and perhaps unfairly compared, Crackerjack's central characters are mostly one-dimensional.

Its audience isn't that which would identify with wide boy Jack, but rather those who bowl on weekdays and will smile knowingly as they recognise themselves and their friends in the City side Bowling Club. Cast: Mick Molloy, Bill Hunter, John Clarke Director: Paul Moloney Based on a true story, "The Dish" recounts the emotions, drama and humour behind the four-day Apollo XI mission in July 1969 and the extraordinary role that Australia played in televising the historical lunar landing to the world. "The Dish" is a mammoth, 1000-ton radio telescope equal in size to a football field. In 1969, NASA intended to use the Australian telescope, the most powerful receiving dish in the Southern Hemisphere, as a "back-up" to its prime receiver in Goldstone, California. But a last-minute change in the Apollo XI flight schedule change rendered the Goldstone telescopes ineffective, and the Aussie dish became NASA's only hope for conveying to the world man's first steps on the moon. The film reflects on comedy from both nations, hence it was a box office hit around the world.

If it had only taken the Australian humour into consideration, the film would have done badly around the world. "The Dish" is directed by Rob Sitch and produced by Santo Ci lauro, Tom Gl eisner, Jane Kennedy, Rob Sitch and Michael Hirsh. THE CASTLE is the kind of comedy that never could have been made in Hollywood. Not really that it can't be made, but it would have been a disaster.

The use of a voice-over narrator would have turned into a crutch instead of a source of inspired brilliance. The working class characters might have been either salt-of-the-earth or grotesque, but never the perfect blend of both. The tale of a little guy fighting the system would have been wrapped up by a wildly cheering courtroom gallery, instead of a delightfully profane two-word summation. "THE CASTLE" is about Darryl Kerrigan (Michael Caton), a tow truck driver and proud owner of a house at 3 High View Crescent on the outskirts of Melbourne with his wife Sal and sons Steve. It matters little to Darryl that the house is built on landfill next to the airport -- it's his home, his pride and joy, his castle. He's appalled to discover that the government plans a forced relocation of the Kerrigan's and their neighbours to make way for an airport expansion.

Darryl, however, isn't going to give up his castle without a fight, and launches a challenge -- legal and otherwise -- that goes all the way to the Australian Supreme Court. There are some marvellous comic moments as Darryl takes on his adversaries, but the richness of THE CASTLE comes from the fact that his victory is one of viewpoint even before a verdict is read. Sure, in some ways it's a one-joke film, and perhaps some viewers will grow weary of that one joke. It just happens to be a joke told with the kind of skill we just don't see very often. An audience trained what to expect from comedies by Hollywood will find expectations in this Down Under comedy turned -- most appropriately -- upside-down.

The last movie I want to explore is Kangaroo Jack. It's about a kangaroo that comes into possession of a hooded sweatshirt after being run over in the Outback by two American simpletons, Charlie (Mr. O'Connell) and Louis (Mr. Anderson). Thinking they have killed the animal, the two dress it up for some photos to remember the occasion. Presto, the kangaroo revives, flattens Charlie and bounds off in Louis's shirt. In the pocket is an envelope containing $50,000 belonging to Sal (Mr. Walken), a Brooklyn mobster who is Charlie's stepfather.

Sal has assigned Charlie and Louis to deliver the money to a Mr. Smith (Mr. Cs okas) at a remote location in the Australian bush. Sal isn't pleased to learn that the money and his couriers are missing. Charlie, who is white, and Louis, who is black, have known each other since they were children in Brooklyn. Louis once saved Charlie from drowning and ever since has laboured under the impression that Charlie has remained his lifelong pal only because he owes him one. Showdowns are ahead. Money isn't everything.

Charlie will always cherish Louis's friendship no matter who owes whom. The kangaroo is glad to get out of that shirt. In conclusion, it is now quite clear that the Australian Film industry has done pretty well in the "Comedy" section. They have managed to depict the issue that is intended through humour and other essences. These days most of the issues have been put through comedy films because I believe that this can be the best route to get the massage across to the audience.