Control Of Their Husband's Property example essay topic

The medieval woman was allowed a larger measure of freedom and status than the usual image we have of the Middle Ages. Women were allowed to own property and inherit from their family. Some women were employed and some were in charge of businesses. Among the upper class, women were as educated as their male counterparts.

In Europe, women were allowed to inherit property from both their fathers and their husbands. In most cases, whatever the woman brought into a marriage in the form of a dowery was hers, even if her husband divorced her. If a woman was childless or her children were to young to inherit, she would control her husband's property after his death. This was common because of the trend of women in their teens marrying men 10-20 years older. Some women gained control of their husband's property because they left for the crusades and the wife ran the business in the husband's absence. Some men were gone for years and some never returned.

Women had control of certain areas of commerce of their own volition. Silk spinning was almost exclusively "women's work" Women manufactured purses and ladies hats, too. And in some parts of Europe, such as Paris, they were allowed to run brothels and taverns. In the Hollister Sourcebook, there is a picture from a French manuscript depicting a woman as an artist painting a woman.

The caption states women of the Middle Ages participated in the business world in a way that only men would be allowed to in later times, which included "trade, banking, the direction of business enterprises, textile manufacturing, brewing, tax collecting, money lending, illuminating and copying books, ... and a variety of other activities". Women could even belong to guilds and some taught their knowledge, not only in artisan occupations, but also reading, writing and arithmetic. A woman could be as educated as her male counterpart. Women also were midwives and often served as a sort of doctor giving medical advice and dispensed medications.

The town of Sardinia provides an interesting look into the life of the medieval woman. In Sardinia, a woman could own property and retain a separate title to her own property she brought into a marriage. It was the custom of the Sardinians, that all the children, even females, got equal inheritance. Women didn't have to marry and even made a point to being single. A single woman who joined the church still brought a dowery to the church. In the church, the women couldn't hold office, but they could still wield power.

Hildegard of Bingen, an abbess in the Benedictine order was much admired by the other leaders in the church. Women had previously been blamed for the original sin, and although that stigma stuck with them, many church clergy saw women as equals in Christ. A Dominican monk writes, "For God made man of the vile earth, but he made woman in paradise. Man he formed of slime, but woman of man's rib. She wasn't formed of a lower limb of man - for example of his foot - lest man should regard her as his servant, but of his midmost part, so that he should regard her as his fellow". Some of this change in attitude can be related to the new emphasis on Mary, the mother of Jesus.

She became the center of the Catholic faith, and is depicted in church art and iconography. In fact, most of the great cathedrals of Europe were dedicated to the virgin mother. These were decorated with Mary and the Christ child as central themes. The portal south of the center portal at Notre Dame has Mary dead center in the tympanum. The editor of the Hollister Sourcebook states that this is evidence of growing popularity of the "cult of Mary". On top of this newfound idol for the pious woman, the new entertainment of the high Middle Ages perpetuated an idealization and romanticized view of the noble woman.

She spends her enormous free time introducing the young knight to the mysteries of love, sends her lover off on frivolous errands and lounges around engaging in idle activities. She is a source of inspiration for her hero. These romantic stories were not written about a wife and her husband, indeed on occasion the husband was the butt of a joke played by the lady and her lover. A female troubadour, the countess of Dia, wrote "know this, that I'd give almost anything to have you in my husband's place". The courtly love ideal elevated both women and love as moral perfection. You need one to obtain the other.

Courtly love was never consummated and was always set outside of marriage. On page 224 of the Hollister Source Book, is an illumination of a lady binding her lover's hands with a golden thread to signify their bond. So, although women were still low on the status ladder, they gained a lot of ground in the Middle Ages (Some of this newfound freedom was lost soon thereafter). Women could choose not to marry, they could have a career, hold membership in guilds. They could conduct business and own property.

Not only that but their status in the church changes in the Middle Ages to one of more acceptance and they become the subject for artistic expressions in pictures, poetry, songs and books. It was a unique period in history for women.

Bibliography

Erle r, Mary, and Maryanne Kowalewski. "Women and Power in the Middle Ages". The University of Georgia Press. 1988.
Hollister, C. Warren. "Medieval Europe: A Short History". The McGraw-Hill Companies. 1998.
Hollister, C. Warren, Joe W. Lee dom, Marc A. Meyer, David S. Spear. "Medieval Europe: A Short Sourcebook". 1997.
LeG off, Jacques. "Medieval Civilization". Basil Blackwell Ltd. 1988.
Sha far, Shulamite. "The Fourth Estate". Methuen & Co., Ltd. 1983.