Ellie's Alienation example essay topic

Love is one of the most liberating connections two people can hold between each other when it is authentic and sincere. Many find completion and satisfaction when they find this ideal, true love in another. However, when love is turned into a facade in order to create the image of an perfect, fulfilling relationship, it can be alienating and destructive. In Walker Percey's essay, The Man on the Train, he claims that love is ultimately a source of alienation instead of an escape into wonderful satisfaction. This theory is exemplified in Frank Capra's It Happened One Night, a story of a woman, Ellie, on a journey to fill her void of true love and escape her feelings of alienation. only exacerbates her sense of alienation instead of functioning as a cure. Until Ellie can find real love within herself she will never be fully satisfied with her life.

In the mean time she involves herself in many different scenarios with various men seeking some form of love, her distraction from alienation. The opening scene of "It Happened One Night" illustrates that Ellie has all the luxuries one can wish for, yet she is still dissatisfied with her life. She argues that although she is given everything she is still not happy. During an argument with Peter Ellie explains the reason for her alienation, "People who are spoiled are accustomed to having their own way. I never have. On the contrary.

I've always been told what to do, and how to do it, and when, and with whom". As a result she finds herself on a quest for her husband to be, King Westley, whom her father strongly disapproves of. In the course of her search she falls in love, yet again with Peter Warne. By the end of the movie Ellie and Peter seemingly live happily ever after. The love that Elle pursues is a forged feeling.

She shifts so easily from her adoration for King Westley to her love for Peter Warne that it leads one to believe that it is disingenuous. Throughout "It Happened One Night" Ellie is being taken care of by someone else other than herself. In the beginning her father looks after her. Then on her search for her husband, Peter takes Ellie under her wing.

The men in her life all play a role of a nurturer or a protector, in a sense replacing the role of her father. Ellie is essentially in search of a man that can support and nurture her. The men that fulfill Ellie's needs in the movie are there only temporarily until she can find another man to serve her desires... One would assume that because Ellie has everything one can ask for, such as money and love, that she is cured from alienation. However, as Percy explains in his essay, ". ... though [she] will have met every "need" which can be abstracted by the objective-empirical method, sexual needs, nutritional, emotional... this [woman] may nevertheless be alienated" (Percy 84). Percy has described exactly the predicament that Ellie finds herself in.

Although Ellie has found love and may now feel that her life is complete, she has not found an effective solution to alienation because the love that she has found is not true. Just as she left King Westley at the altar for another man, she will repeat this cycle of rotation once again with Peter. Percy continues to say "Moreover he is apt to be alienated in proportion to his staking everything on the objective-empirical" (84). His statement implies that the more Ellie concentrates on the "objective -empirical", or her idea of love, the more alienated she will become.

Percy presents an even bolder claim when he states "It does happen that the existing self characteristically reverses objective-empirical sociological categories and discovers in them not the principle of its health, but the root source of its alienation" (Percy 85). By this, Percy rationalizes that physical satisfaction is the cause of alienation. This suggests that the love that Ellie discovers with Peter does not alleviate her alienation, but is actually the source. Ellie's alienation is seen through her insatiable desires for new experiences or rotation.

Percy defines rotation as "the quest for the new as the new, the reposing of all hope in what may lie around the bend" (Percy 86). In terms of the movie, rotation takes place as Ellie finds herself falling in love with Peter. She enters the "privileged zone of possibility" (91), which is the motel room, the bus ride, and the hitchhiking. These zones identify the possibilities of love, but fail to solve the despair of everyday ness. In other words this coping strategy of alienation does not succeed because Ellie will ultimately become bored. As her pursuit to find and marry King Westley draws near, Ellie almost immediately becomes uninterested in King Westley, and instead she "discovers" her love for Peter and confesses her love for him in their hotel room.

This leads to Ellie leaving her groom at the altar and chasing after Peter and a new life. Once her love for Peter too becomes old, Ellie will continue this cycle of rotation. Rotation is a good diversion from alienation, for it brings excitement and newness, but only for an instant. Although the conclusion of "It Happened One Night" depicts a happy ending, it is a facade that will not last. Not only because it is an unauthentic deliverance from alienation, but also because the hope of rotation brings anguish. Percy explains this as "his alienated art of rotation instead of healing him catches him up in a spiral of despair whose only term is suicide or total self-loss" (Percy 95).

Once Ellie finally achieves perfect love with Peter it will pass quickly, and she will not only be forced to endure her loss from Peter, but a loss of attention from her own life and result in destruction to the free self, Another example of love being used as a coping strategy is through impersonation. Throughout the movie, before Ellie realized she loved Peter, they pretended to be a married couple. However, even after Ellie's confession of her undying love for Peter, some of the rotations she experienced were "a desperate impersonation masquerading as rotation" (Percy 99). Furthermore " [Ellie] is taking refuge in the standard rotation of the soap opera, the acceptable rhythm of the Wallisian-Huxley an-Nathan ian romance of love among the ruins" (99). Although Ellie believes she is truly in love with Peter and plays a part in a great adventure of romance, she is just following a well-known path another has already taken. Percy continues to say that Ellie's passion for Peter is "far from being a free exploration, it is in reality a conforming to the most ritualistic of gestures: that which is thought to be proper and fitting for a sexual adventure" (99).

Finally, Ellie's pursuit for love does not prove to be an effective method to terminate alienation. Her love for Peter will only last as long as it can attain her attention, or until the next gentleman with a flair for adventure comes along. Ellie will continuously seek love from various people. Until Ellie tires from "excursions into the interesting" and begins a journey "into [her] own past in the search for [herself]" (95) will she find authentic deliverance from alienation.

As a result love only plays a part as a distraction from her boredom, and plunges herself deeper into alienation.