End Of The Novel Kabuo example essay topic

Literary Criticism Response David Guterson's novel Snow Falling on Cedars undoubtedly holds high acclaim in its reputable attempt to show the prejudice between the Americans and Japanese after World War II and more importantly the prejudice that is unavoidably apart of human nature. The author of the criticism recognizes and brings to light the things done by Guterson throughout the novel. He refers to the animosity between people brought about by differences, the unwillingness to accept change, and also states that things end in a moral and justified manner. The author refers to "old passions, prejudices, and grudges" surfacing throughout the novel taking place off the Washington coast. In referring to "old passions" the although beings up a valid point of the passion that exists between Ishmael and Hatsue, although it is not necessarily "old" as Ishmael is still vibrantly in love with Hatsue throughout the novel up until the very end. Their so called passion begins in the cedar tree where they spend their childhood escaping from the prejudices of society, but form a passionate connection that cannot be broken.

Referring to the "prejudices and grudges" the author is most evidently talking about the resentment between the Heine and Miyamoto families regarding the purchase of Ole Jugersons land. The grudge aroused because the land rightfully belongs to the Miyamatos as they had it land leased but when the Japanese were sent to internment camps after the bombing of Pearl Harbor there became confusion. Out of this confusion the land ended up in the hands of Carle Heine. If the land dispute would have been between two similarly colored people it would not have been as significant. Being between the Japanese and American protagonists it becomes an issue of prejudice rather than ownership as Karl, the ideal white male, keeps land from the hard-working Japanese who fought for a countries freedom in which he is not even viewed as equal.

The simplistic idea of land ownership boils down to a much more complicated issue of the impurities of American democracy. The author also refers to Guterson courtroom, where the entire novel takes place, as being "cleverly constructed". In doing so he alludes to the imagery portrayed through the novel by Guterson, which gives life to the seemingly standard courtroom making it a clear representation of the society through the symbols it contains. The judge assigned to the trial is seemingly a man of virtue and good standing moral fiber. He has not succumbed to the immoral prejudice toward Kabuo because of his origins that the rest of the community so prevalently upholds. The courthouse as described thought imagery in the novel is seen as protection from the actual storm taking place outside, but in actually goes much deeper to represent protection from the storm that is brewing within the interracial community of San Piedro.

The resentment between the cultures has been sheltered and nurtured for so long, but the courthouse can only protect it for so long before it gives way to the storm. The courthouse represents the ideal society where equality exists but is being withered and worn by the storm called prejudice. In reference to the relationship between Hatsue and Ishmael the author states "Kabuo's wife is the undying passion of Ishmael Chambers... he can't shake his obsession for Hatsue any more than he can ignore the ghost pains in his nonexistent arm". Aside from the main conflict of prejudice, the conflict between Ishmael and Hatsue's illegitimate relationship is one of the most passion driven arguments in the book.

Ishmael becomes so stuck on the fact that Hatsue is the only person he will ever love; he loses sight with reality sometimes and remembers the day he was cut out of Hatsue life just as vividly as the moment his arm was amputated. The magnitude of his emotion towards her becomes ironic and shows his instability. When he becomes overwhelmed by the lack of interest placed in him by Hatsue, he blames it on the Japanese culture as a whole. Mostly using the word "jap". This principle has much deeper roots that Guterson attempts to make clear in his example. Ishmael cannot adequately understand or communicate his emotions or why he feel so strongly for Hatsue, so out of anger he curses the only thing he can think of to blame; the Japanese.

This is the same way that human instinct naturally works. If you don't understand something, automatically you begin to look for something to blame without even understanding the real nature of your misunderstanding. In reference to the storm finally ending at the conclusion of the trial the author says: "In the end, justice and morality are proven to be intimately woven with beauty-the kind awe and wonder that children feel for the world". In the end of the novel Kabuo is proven innocent and t he people of San Piedro realize their prejudice has hurt them. The Author and Guterson both see the end of the novel with an idealistic ending, as it does. The authors comment about children shows the premature idea that children have of the world ending like a fairy tale.

This fact, although desirable, is not attainable as injustice and immorality are so intertwined with human existence that there will never be an end to them. Snow Falling on Cedars By David Guterson, Vintage, NY, 1995,460 pages Review by Kirkus Reviews Old passions, prejudices, and grudges surface in a Washington State island town when a Japanese man stands trial for the murder of a fisherman in the 1950's. Guterson (The Country Ahead of Us, the Country Behind, 1989, etc.) has written a thoughtful, poetic first novel, a cleverly constructed courtroom drama with detailed, compelling characters. Many years earlier, Kabuo Miyamoto's family had made all but the last payment on seven acres of land they were in the process of buying from the Heine family. Then the Japanese bombed Pearl Harbor, and Kabuo's family was interned.

Etta Heine, Carl's mother, called off the deal. Kabuo served in the war, returned, and wanted his land back. After changing hands a few times, the land ended up with Carl Heine. When Carl, a fisherman, is found drowned in his own net, all the circumstantial evidence, with the land dispute as a possible motive, points to Kabuo as the murderer. Meanwhile, Hatsue Miyamoto, Kabuo's wife, is the undying passion of Ishmael Chambers, the publisher and editor of the town newspaper. Ishmael, who returned from the war minus an arm, can't shake his obsession for Hatsue any more than he can ignore the ghost pains in his nonexistent arm.

As a thick snowstorm whirls outside the courtroom, the story is unburied. The same incidents are recounted a number of times, with each telling revealing new facts. In the end, justice and morality are proven to be intimately woven with beauty -- the kind of awe and wonder that children feel for the world. But Guterson communicates these truths through detail, not philosophical argument: Readers will come away with a surprising store of knowledge regarding gill-netting boats and other specifics of life in the Pacific Northwest. Packed with lovely moments and as compact as haiku -- at the same time, a page-turner full of twists.

Bibliography

Guterson, David. Snow Falling on Cedars. New York: Vintage Books, 1994.
75-428. 'Snow Falling on Cedars. ' Kirkus Reviews. 24 Mar. 2005