Evident The Women's Role In Shakespeare's Tragedy example essay topic

In Shakespeare's tragedies and his plays in general, we can come across several types of female characters. Their influence with other characters and their purpose or role, often underestimated like women themselves, will be this essay's main subject. Women in Shakespearean plays have always had important roles, sometimes even the leading role. Whether they create the main conflicts and base of the plays, or bring up interesting moral and cultural questions, they have always been put in challenging situations. Some women are stronger than others, and their effect on the play is different for each one. They often even surpass the male heroes.

It's almost unbelievable, if we take into consideration the status of women, of course with its discrimination and cruel conditions, in Shakespeare's days - sixteenth century Elizabethan England. But there could have been many reasons, why he gave his characters such qualities. It could have been the Queen Elizabeth I. on the throne, or a certain influence of his marriage with older woman. Some modern critics claim, he was a feminist, or on the contrary it is historically incorrect, because we shouldn't forget that he wrote mainly for a male entertainment. Particulary in his comedies we frequently see a woman take on the strongest character, while often in his tragedies he has a male play the isolated tragic hero.

It's highly necessary to know the context to fully understand it. The women couldn't do much of anything but cook and clean for their husbands. They were also spoken to and commanded like they were common dogs. Also the women did not get to choose who they married.

They were supposed to act like dolls. Their loyalty belonged first to their fathers and then to their husbands. This patriarchal structure has forced them to become repressed and helpless, not only in the eyes of men and society. Overall women were treated horrible compared to today's time.

There's evident inspiration and writer's reaction. Nevertheless, in the midst of this male-dominant society Shakespeare portrays women with strengths at least equal to those of men. Shakespeare's views on women clearly define his plays and how, by using the women as some of the most powerful and stage dominating characters, and he shows a remarkable gift for breaking down the barriers that held women captive. Shakespeare was obviously alive to the fact, that the woman pull the strings, desire power and be up to men. And that was more than unnatural and almost provocative, considering society of that period. For example, "Hamlet" has an interestingly strong female in it.

Queen Gertrude, widow of Old Hamlet, remarried to Claudius, has a type of conditional strength. When she and Claudius get married, that alone takes a lot of guts. Her marriage so soon after her husband's death would be subject to gossip in the people she was ruling. In this play the negative view toward the women is exhibited by Hamlet.

He says harsh things to women and treats them as if they are inferior to him. At first it seems as if he is just very misogynistic, but he actually treats the women this way because of how they " ve betrayed him through their actions; his mother Gertrude married only a month after Hamlet's father's death, and second female Ophelia heeds her father's command not to see Hamlet despite professing her love for him. Hamlet sees both women as weak and too dependent on the men in their lives, and his bitterness leads him to believe that all women are untrustworthy. He becomes cynical about women in general, showing a particular obsession with what he perceives to be a connection between female sexuality and moral corruption.

This motif of misogyny, or hatred of women, occurs sporadically throughout the play, but it is an important factor in Hamlet's relationships with Ophelia and Gertrude. In spite of fact that both woman are being given unique personalities which influence the outcome of the story, Queen Gertrude appears to be quite shallow. Shakespeare just does not go into great detail on her personality. Only transgressing the patriarchal bounds of femininity by marrying so soon after her husband's death and not remaining in passive grief makes her "strong" but grim indeed. This provides Hamlet with a model of women's inconstancy ("Frailty, thy name is woman". ).

On the other hand in the portrayal of unstable Ophelia Shakespeare shows how men in a strong patriarchal society controlled women in the 1600's. The influence of men in Ophelia's life is evident throughout by the relationships with men in her life. It is interesting to note that Ophelia's first scene is in a very domestic setting. She is influenced and controlled by those around her, and unable to express her deep feelings because of their control.

Actually she suffers as a result of Hamlet's patriarchal values of womanhood. Ophelia's subsequent madness and eventual suicide (so typical sign of the classical tragedy) came as a result of the pressure and control her father and the king had over her. At her father's death she lost her identity completely, and along with that her sanity. But she has a major influence on Hamlet, and his return to sanity, despite the fact, she is a victim. Juliet is given similar personality in another Shakespeare's tragic play, "Romeo and Juliet". Again it explores the effects of patriarchal authority exerted over women and the responses to it.

Through heroine Juliet, Lady Capulet, and the Nurse, Shakespeare establishes a common understanding of this type of society, and describes how they may be subordinate to men. At the same time he shows us three different reactions to the social oppression, from young passionate lover, idyllic housewife, and an attendant. The heroine Juliet, symbol of innocence, is, as the matter of fact, the same victim as Ophelia. With one significant difference - she set her face against fate by disobeying "superiors", her parents. In spite of her age that stands on the border between immaturity and maturity, and acts clearly as a naive child at the beginning, she is able to become a rebel and grows into a woman. Juliet's development from a wide-eyed girl into a self-assured, loyal, and capable woman is one of Shakespeare's early triumphs of characterization.

It also marks one of his most confident and rounded treatments of a female character. The character of Lady Capulet is an exact instance of a selfish parent, who wants the same life for her child, no matter what it wants. She is eager to marry Juliet, but she's an ineffectual mother, relying on the Nurse for moral and pragmatic support. The Nurse plays quite an important role, like every nurse in noble families, basically by representation of Juliet's advisor, instead of her mother. She gives her everything straight and sets her right, but when she realizes that is no use, she supports her even though she knows it's not wise. These two particular female characters show us impersonal relations in renaissance family, and absolutely importance of love and understanding.

Desdemona, the heroine from later tragedy "Othello", is slightly distinct case. She is misunderstood young and modern, at times submissive woman, but even though she can't protect herself from society's conception of women. And Desdemona's feminized qualities of obedience (obedience and silence were very much part of the patriarchal conception of femininity) are no match for Othello's masculine qualities of dominance, aggression and authority, still tolerated by system, which makes her helpless. Constant patriarchal rules and stereotypes determine love and relationship, and every little deviation is in case of woman behavior very dangerous, especially with jealous and conservative moor, who has different view of womanhood. Like Hamlet, who tells Ophelia 'get thee to a nunnery' in order to protect her chastity and remove his fear of woman's infidelity, Othello too wishes to erase Desdemona's sexuality and potential for infidelity. Last example of woman's role in tragedy differ completely.

Lady Macbeth is one of Shakespeare's most famous and frightening female character, who brings out many themes and challenges the role of women during Shakespearean time. She is a pivotal and key character in the play Macbeth and is responsible for much of the plays huge success. One woman who does not act as her husband's subordinate throughout the play; rather she takes control of her husband's actions and thoughts. She is stronger, more ruthless, more ambitious than her husband, gains power in her relationship through her womanly skills of manipulation, and she seems fully aware of that. Lady Macbeth manipulates her husband with remarkable effectiveness, overriding all his objections, and when he hesitates to murder, she repeatedly questions his manhood until he feels that he must commit murder to prove himself.

Interestingly enough, she does not use any of her sex appeal but rather her intellect to do so, and wishes that she herself could be 'unsexed. ' In addition to Hamlet, this appears to be Shakespeare's most misogynistic play. While the male characters are just as violent and prone to evil as the women, the aggression of the female characters is more striking because it goes against prevailing expectations of how women ought to behave. Lady Macbeth's behavior certainly shows that women can be as ambitious and cruel as men.

Whether because of the constraints of her society or because she is not fearless enough to kill, Lady Macbeth relies on deception and manipulation rather than violence to achieve her ends. Beyond doubt, three witches, as supernatural characters in "Macbeth", embody an unreasoning, instinctive evil. They represent Macbeth's evil ambitions and aspirations. It is evident the women's role in Shakespeare's tragedy is unlike his comedy. In comedies the women are empowered, that means they are mostly strong, independent, and capable, despite the male-dominant society of Elizabethan England. But in fact, women who were gifted and imaginative were not given the chance to develop their skills to become better in their craft. are often depicted as meek, obedient, and vapid creatures who stand behind their husbands.

Their biggest role is usually one as wife or sister, hardly ever straying to be different. And that reflects exactly on Shakespearean tragic female characters, along with all difficulties, struggle and despair. Unfortunately, some of these characters survived not only in drama.