Iago's Hatred Of Othello example essay topic
He was honest, loyal, and brave in all of the other characters' eyes. However, in reality he was a cruel, deceitful, immoral man. As with every great villain, Iago had to have been motivated by something. Although it is debatable, I believe the main motivation behind his villainy is his repressed homosexuality, and his attraction to Othello.
There are many different views on what motivated Iago to set out to destroy so many innocent people. Many critics argue the not being promoted is his only motivation. Clearly, Iago's ego was shattered when he was not promoted, however, it seems to be just another excuse for hating Othello. Thomas Wilkes believes that Iago's motivation for wanting to destroy Othello was based only on him not being promoted to lieutenant. He says that Iago had "no other real motive for his villainy". Wilkes recognized that Iago stated other possible motives, but argues that he only used them to deceive Roderigo.
Wilkes' opinion is a very popular one, but I believe that the real motivation is more complex than his not being promoted. If that was the only reason, why did he not stop scheming after Othello made him lieutenant? Stanley Edgar Hyman believed that Iago was just plain evil. Actually, that he was, in fact, Satan. He says that Iago is motivated by the fact that he is Satan or a figuration of Satan, eternally fixed in posture of hatred of God and envy of man.
He wins the souls of men by promising to gratify their desires: Roderigo's for Desdemona, Cassio's for his return to favor, Othello's for certainty (perhaps the certainty of guilt). (Hyman 29) Iago manipulates these people so easily. He actually does, in some way, take their souls. Roderigo dies, Cassio gets torn from his lieutenant position, and Othello kills his wife and himself. All of them are ruined by the end of the play, and it was all Iago's plan. I agree that yes, Iago is evil, but in no way do I think he is Satan.
As with Hyman, Henry L. Warnken believed that Iago was evil. However, Warnken thought that Othello had played a major role in Iago manipulating him. According to Warnken, "Othello is, in fact the source of Iago's diabolical inspiration" (442). He says that Othello is not innocent, and that he had the "potential for evil". I am not sure I believe either of the evil hypotheses.
Anyone who read the play can see that Iago is evil, and that Othello is not as innocent as he seems, but I do not think that it is the core source of his motivations. Iago did not manipulate so many people, and hurt them all simply because he was evil. Throughout the entire play, Iago's reason for wanting to destroy Othello changes. Iago states many different reasons for hating Othello, either to himself or to Roderigo. The fact that the reasons Iago states seemed to keep changing is what leads me to believe that there is a much deeper psychological cause to the source of his villainy. "It is he who unconsciously loves both Othello and Cassio: that love is repressed and, by the defense mechanism called 'reaction formation,' is turned into hate" (Hyman 101).
Reaction formation is, by definition, a defense mechanism in which behaviors are repressed, and the opposite behavior is exaggerated (Coon 562). Iago's hatred of Othello is, to Iago, a more appropriate way of dealing with his strong love for Othello. Iago had no real reason for wanting to destroy Desdemona and Cassio. According to Hyman, Iago was jealous.
Iago felt rejected by Othello when Cassio got promoted rather than him, and he was jealous of Desdemona "for being to Othello what he would like to be" (107) While there are many different views and opinions on what motivated Iago's cruel ways, any one of them can be the truth. Most all views are argued very well, with believable evidence. However, nobody will ever know for certain the underlying cause for Iago's villainy. There is a lot of evidence to back up most of these opinions. It very well may be that all of the views are correct (or none of them for that matter).
Bibliography
Coon, Dennis. Introduction to Psychology: Gateways to Mind and Behavior. Tenth Edition. Belmont, CA. Wadsworth / Thomson Learning. 2004 Hyman, Stanley Edgar.
Iago: Some Approaches to the Illusion of his Motivation. New York. 1970.
Warnken, Henry L. Shakespeare for Students. Book One. Ed. Mark W. Scott. 1992 Wilkes, Thomas.
Extract from Shakespeare, the Critical Heritage: 1753-1765. Vol 4. Ed. Brian Vickers, 1976.
356-61. Shakespeare Criticism. Vol 4. Ed. Mark Scott. 1987.