Instrumental Music example essay topic

The music of India is one of the oldest unspoken musical traditions in the world. The basis of for Indian music is". " Sang eet is a combination of three art forms: vocal music, instrumental music (Indian music). Indian music is base upon seven modes (scales). It is probably no coincidence that Greek music is also base upon seven modes. Furthermore, the Indian scales follow the same process of modulation that was found in ancient Greek music.

Since Greece is also Indo-European, this is another piece of evidence for the Indo-European connection (Dance and music of India). The vocal tradition is especially strong in Indian music. It is understood that the song is probably the most ancient form of music. Vocal music occupies a considerable part of Na tya Shastra (Indian music). The is the oldest musical text in India. Most of the classical songs of north India are devotional in nature, but there are few genres which are especially oriented toward religion.

Most notable is the bha jan, d hun or kirtap for Hindus, the ka wali (qa wali) for Muslims, and the sha bad for Sikhs (Indian music). Not all the music is serious for there are also many popular genres. The gaza l is one style, which is known for it rich poetic, and romantic content. The Hindi get which is basically just a song and undoubtedly the most popular is the film song (Indian music). There are also a few genres which are oriented specifically toward musical education. The most notable example is a genre called get.

In this style the words of the song actually describe the rag which is being performed (Indian music). India also has a rich tradition of folk music. These will vary from region to region. Instrumental music occupies an important position in Indian music. It is one of the threefold aspects of and has a very ancient history. Instrumental music is known as (India, dance and music).

Over the years they have become formalized into four major instrumental styles known as: a lap, jor, gat and jh ala (India, dance and music). The a lap is a slow rhythm less elaboration upon the rag. The jor is a section that has rhythm but no developed rhythmic cycle (i. e., talk). The gat is the fully developed piece, while the jh ala is a fast rhythmic interplay between the drone strings and the main playing strings (Indian music). The rag is the most important concept that any student of Indian music should understand. The Hindi / Urdu word "rag" is derived from the Sanskrit "raga" which means "colour or passion" (Indian music).

It is linked to the Sanskrit word "ran" which means, "to colour" (Indian music). Therefore, rag may be thought of as an acoustic method of colouring the mind of the listener with an emotion. It is not a tune, melody, scale, mode, or any concept for which an English word exists. It is instead a combination of different characteristics. It is these characteristics, which define the rag. There must be the notes of the rag.

They are called the's war (Indian music). There must also be a modal structure. This is called that in North Indian music and mela in carnatic music (Carnatic music). There is also the jat i. Jat i is the number of notes used in the rag.

There must also be the ascending and descending structure. This is called /. Another characteristic is that the various notes do not have the same level of significance. Some are important and others less so. The important notes are called va di and (Indian music). There are often characteristic movements to the rag.

This is called either p akad (Indian music). The Indian rhythm is known as talk. Tal means "clap". The tabla (Indian drum instrument) has replaced the clap in the performance, but the term still reflects the origin. The basic concepts of talk are tali, Khali, vi bhag, ma tra, bol, the ka, lay, sam, and avar tan.

Tali are a pattern of clapping. In addition to the claps, there are also a number of "waves". The waves are called Khali (Indian music). Vi bhag is clap or wave specifies a particular section or measure. These measures may be of any number of beats. Matra is the beat.

Bol is the mnemonic system where each stroke of the drum has a syllable attached to it (Indian music). The ka is a conventionally established pattern of a boys and vi bhag (Indian music). Sam is the beginning of cycle. The first beat of nay cycle is usually stressed (India, dance and music of). A vartan is the basic cycle.

There are many instruments in India. Some instruments are used primarily in north India and many other instruments are used in south India. Instrumental music is often similar to vocal music but sometimes there are distinctive instrumental styles. There is a traditional system for the classification of instruments. This system is based upon; non-membranous percussion (gha n), membranous percussion, wind blow (sushi r), plucked string (tat), blow ed string (vita t) (Indian music). Some of the most famous Indian instruments are sitar and tabla.

Sitar is perhaps the most well known of the Indian instruments. Artists such as Ravi Shankar have popularized this instrument around the world. Sitar is a long necked instrument with an interesting construction. It has a varying number of strings but 17 are usual. It has three to four playing strings and three to four drone strings. These strings are plucked with a wire finger plectrum called mihrab.

There are also a series of sympathetic strings lying under the frets. These strings are almost never played but they vibrate whenever the corresponding note is sounded. The frets are metal rods, which have been bent into crescents. The main resonator is usually made of a gourd and there is sometimes an additional resonator attached to the neck (Indian music). Another famous music instrument is tabla. Tabla is a pair of drums.

It consists of a small right hand drum called dayan and a larger metal one called bayan. The tabla has an interesting construction. The dayan (right hand drum) is almost always made of wood. The diameter at the membrane may run from just under five inches to over six inches. The bayan (left hand drum) may be made of iron, aluminium, copper, steel, or clay; yet brass with a nickel or chrome plate is the most common material. Undoubtedly the most striking characteristic of the tabla is the large black spot on each of the playing surfaces.

These black spots are a mixture of gum, soot, and iron filings. Their function is to create the bell-like timbre that is characteristic of the instrument. (Carnatic music).