Ispoiled Brat I Hedda example essay topic

Hedda Gabler: The Spoiled Brat What can we say about someone who is a spoiled brat. We can say that a spoiled brat is someone that gets everything they wants and gets upset when they don " it get what they want. It is a person who is extremely rude to the people they feel is beneath them. It is a person craving to get all the attention of other people, and gets jealous when other people get the attention they want. It is a person who wants control of everything and everything to be done their way. Hedda Gabler is this 'ispoiled brat. ^i Hedda is General Gabler's daughter.

Most likely, when she was growing up, she got everything she wanted and never appreciated any of it. She was 'idaddy " is little girl. ^i She probably grew accustomed to a particular way of life in her father's house which was her way, and for that she probably never prepared for the fact that someday things will change. Right from the very beginning we see that most of the people who meet with Hedda Gabler are very afraid of her. From the start, the maid Bertha says that she is frightened that Madam may not find me suitable^i (Ibsen 1227) and that Hedda 'wants everything so. ^i (Ibsen 1227) Bertha is very scared that she " is going to lose her job. Upon Hedda's first appearance, she makes many snobbish remarks. First, she turns up her nose at George's special handmade slippers.

When Tesman asked Hedda to look at the slippers she replies, 'i Thanks, I won " it bother. ^i (Ibsen 1232) Later she insults Aunt Juju's new hat, pretending to mistake it for the maid's. She makes the comment that the maid should be fired for leaving 'her old hat lying on the chair. ^i (Ibsen 1232) When Tesman asks Hedda to call his aunt Auntie Juju, Hedda straight out refuses saying that she 'iwill try to call her Aunt Juliana. That " is how far as I'ill go. ^i (Ibsen 1233) Right from the start we can see that Hedda is not only rude but also very snobbish. She seems to have married Tesman for very practical reasons. Most likely she was probably running out of money to live on her own and needed someone to support her. Tesman seems like a perfect match because he is a safe and respectable man.

He is a man that does better for her reputation than for her emotional needs. She tells Judge Brack that the reason she married Tesman was that her 'i time was up... After all, George Tesman, well, I mean, he " is a very respectable man. ^i (Ibsen 1246) However, Hedda seems to be repulsed by everything about George Tesman. She demands much more class than he has been able to provide her, for she was the beautiful, charming daughter of General Gabler and deserved nothing but the finest. She seems very upset at the fact that Tesman 'i couldn " it possible afford a footman, ^i (Ibsen 1243) or get her the 'i thoroughbred horse (Tesman) promised^i (Ibsen 1243) her. Also when the idea comes up of trading in Hedda " is old piano for a new one, Hedda refuses and wants to have both of them, something Tesman cannot afford.

Also, Hedda seems to be very bort ors in her life. It really depends on the way you look you look at her and her character. Many can say her attitude and behavior was most likely from the time period she lived in, when the standards for women " is behavior were different. Some may say that she was a strong and independent woman, but couldn " it express herself the way she really wanted to because she was the general " is daughter.

But any way you really look at it, the bottom line is that Hedda was a spoiled brat. She got all the things she wanted, and she would of done everything possible just to get something, unless it will ruin her reputation. And with all that she did get, she wanted more and was willing to destroy the lives others for her person entertainment and satisfaction. However, in the end, she was 'idaddy " is little girl^i no more, and her suicide was the only way to control her own destiny because she could not control anyone else " is anymore. The 'ispoiled brat^i didn " it get her way. Ibsen, Henrik, Hedda Gabler, The Norton Anthology: World Masterpieces, pages 1226-1281.