John's Wife's Freedom example essay topic

Women Breaking Free From Their Traditional Expectations All throughout the early part of history women were portrayed as the inferior sex, because at that point in time, women were seen as beings only born to have children. Men didn't think that women were capable of being anything other than a typical housewife. It was unthinkable that women would actually need an education, let alone earn a living, or become a leader. These ideas are revealed all throughout classical literature. Rarely was a woman seen as doing anything but being dominated by males in some form, whether she was a man's submissive devoted wife, a sexual object, or a woman being punished for wanting her freedom. We finally begin to see women trying to break free from these traditional expectations and barriers through the lives of Janie Crawford in Their Eyes Were Watching God by Zora Neale Hurston, John's wife in "The Yellow Wallpaper" by Charlotte Perkins Gilman, Louise Mallard in "The Story of an Hour" by Kate Chopin, and Songlian in Raise the Red Lantern by Su Tong.

Zora Neale Hurston in Their Eyes Were Watching God shows how the lives of American women changed in the early 20th century. Janie Crawford is an example of a woman in society who follows her dreams, takes control of her soul, and finds her own identity in a male dominated world. After two marriages in which Janie is 'owned' by the men in the relationship, she finds that she can own herself. "Janie was an unusual protagonist for her time-black, female, independent, and strong" (Shafer).

Janie's first effort to free her soul is from her husband Logan Killick's. Logan works her like a mule, making her do house chores as well as outside work. When she finally realizes that she doesn't want to spend her life as a slave or with someone that she doesn't love, Janie runs away to be with a man she had met only a few days before. Janie faces reality and gets out from under Logan's rule before she becomes consumed into his world. Again Janie is only a possession of her new husband, Joe Starks.

He displays her like a medal around his neck. He is so jealous of other men lusting after his wife that he restricts her to always tend the store, leave fun situations, and wear a head rag to hide her beautiful hair. Janie slowly breaks out of the shell that Starks has molded her into when she verbally defies him in front of his friends. After his death, she begins to let herself live with no boundaries holding her back.

Now with her third husband, Tea Cake, Janie begins going places and stops wearing mourning colors. She has finally found true love and someone who treats her as an equal. However, Janie must kill Tea Cake in self-defense after he goes crazy from being bit by a mad dog. This behavior was almost unheard of in that time, because women were still thought of as inferior and not being capable to think for themselves.

Through all of her struggles and demands of submission, Janie survives with her own identity and strength to conquer anything in her life". Charlotte Perkins Gilman (1860-1935) is best known today as the author of "The Yellow Wallpaper", a riveting account of a young mother's descent into madness as a result of the stultifying cultural expectations for women in Victorian America" (Maloney). The experiences of the protagonist, John's wife in "The Yellow Wallpaper", is a reflection of Charlotte Perkins Gilman's own life. The story is about a creative woman whose talents are suppressed by her dominant husband. John, a physician, thinks by oppressing his wife it will keep her within societies normal ways of what a wife is supposed to act like, but it only leads her to a mental breakdown.

He is more concerned with what others may say about her than the mental health of his wife. In trying to become independent, overcome her own suppressed thoughts, and her husband's false diagnosis of her, she loses her sanity. The first example of John being a dominating husband is right after diagnosing her as having a temporary nervous condition and prescribing her bed rest for her illness. Without asking her, he takes her to their summer home to recover form the illness that he does not believe she has. When he tells her that there is no reason for her to feel this way, he is treating her like a child that does not know what it wants or how it feels. In many ways treating her this way makes her doubt herself.

Another example of John's domination is suppressing her creative talent by not allowing her to write. She is in constant fear of being caught by her husband, so she always puts her journal away when she hears the slightest noise of footsteps. Her husband is suppressing the one major outlet that will make her get better by not allowing her to write. This is causing her depression to worsen. She thinks that John is being more of a father to her than a husband, and thinks that she needs to do whatever he says. This is a clear sign of someone trying to run another person's life.

Rebellion is a source of protection for her sanity and by writing and disobeying him; she is keeping her sanity safe. In trying to break free she shows some of her creativity by creating the woman behind the yellow wallpaper. She wants the woman to be free because in actuality, the woman she created is herself. The final scene is when her husband walks in on her crawling around the room and tearing off the paper. "The narrator finally escapes from her controlling husband and the intolerable confines of her existence by a final descent into insanity as she peels the wallpaper off and bars her husband from the room" (All)".

Kate Chopin was the first American female novelist to write frankly about women's feelings toward their roles as wives and mothers" (Grib ben 521). Her short story, "The Story of an Hour" is about a woman, Mrs. Louise Mallard, who is being oppressed by her husband, Brently. Although it appears that she loves Brently, she admits that some of the times she does not. This is not to say that he was a bad husband or she was not a good wife, but they were not as in love as everyone else thought they were. The story begins with telling us that Louise Mallard was afflicted with heart trouble; this is why they had to break the news of her husband's death to her very gently. This is also why her husband's friend and her sister, people very close to her, wanted to break the news to her.

As soon as Mrs. Mallard found out about the incident, she wanted to be alone in her room to grieve. The longer she was alone to think about it, the more she realized that this might be for the better. As she realized what had really happened, she noticed more and more the beauty and freedom outside of her window. She thought to herself, "There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature" (306).

Louise was no longer grieving, now that she had figured out that being free and unbound was the best thing for her. At this time her sister Josephine insists that Louise let her into the room for fear that she would make herself ill. Louise did not want to, but eventually granted her passage. Just as they reached the bottom of the stairs, Brently Mallard walked in the front door knowing nothing about the accident. The book then gives no graphic details, but just says; "she died of a heart disease - of joy that kills" (306). This more than likely means that she had been so worked up and excited about having freedom that she could not stand to live without it after she had a small taste of it.

The movie, Raise the Red Lantern, is a story of a young woman, Songlian, who has tasted the possibility of freedom from the old ways. As the film begins, her father has died and her stepmother persuades Songlian to become the fourth wife of Chen, a wealthy man who lives in an extravagant, ancient castle. Here lies the loss of her freedom. The difference between Songlian and the other three wives is that she is educated and has been married against her will. Now her whole world is reduced to one small compound, and the only people she sees are her husband, his family, and their servants. She is given a maid that she does not get along with, and finds her new home to be a cheerless place, despite the bright colors that fill the walls.

Tradition was that "the wife with whom the master was to spend the night had her courtyard lit by red paper lanterns, and enjoyed the glory of a special foot massage" (Stole e). Since Songlian is new to the compound, it is expected that Chen will spend much of his time with her. However, their first night together, the master is called away to soothe his pampered third wife, who complained of being sick. From then on, Songlian realizes that she will have to be manipulative to keep her husband interested with her. She tries faking a pregnancy to gain favoritism and power in the family, but when the second wife uncovers her scheme she is humiliated and falls out of favor.

All of her red lanterns in and outside of her room are covered with black sheets. Unable to endure any longer in this prison, Songlian breaks free for one glorious moment when she tears the black covers from the lanterns, sets them glowing and destroys the order and composure of the household. Songlian was an intelligent woman that had tasted freedom and not having that freedom is what leads her to be declared insane. In all of the stories each woman struggled to break free from the traditional expectations and barriers that women faced during this era. Many may say that Janie was the only one successful in breaking free, because she lived. Although, if you really look deep into each story, you would discover that all of the women were able to break free.

Janie had to go through many marriages before she found herself and knew that she could be her own person. John's wife's freedom came when she was able to tell her husband, "I've got out at last, in spite of you and Jane. And I've pulled off most of the paper, so you can't put me back!" (599). John realizes that his wife has become the healer by diagnosing herself and faints. She creeps over him into victory over his male dominance of her. Another to go crazy, other than John's wife, was Songlian.

In Songlian's one glorious moment, she found her freedom but not being able to leave, she used insanity to escape. The last character, Mrs. Mallard, found her freedom when she died. She may not have wanted to die, but it is assumed that she was going to a better place where she would be free. Until the mid-1800's many people regarded women as inferior and less important than men.

They believed that a woman's proper place was in the home. Even the laws and literary writings reflected this position. As women became more educated, they began to seek their freedom and a voice in society. This movement to gain equal rights for women has been referred to as feminism. Slowly have we made our way in history, but profoundly do we take our stand in life.

Bibliography

Aull, Felice "The Yellow Wallpaper" The Feminist Press at the City Univ. of New York (New York) 1892 7 July 2000 web Alan.
Chopin, Kate" The World book Encyclopedia. 1990 ed.
Maloney, Karen E. "A Feminist Looks at Education: The Educational Philosophy of Charlotte Perkins Gilman" Teachers College Record vol. 99. Spring 98: 514 Roberts, Edgar V. Fiction / An Introduction to Reading and Writing. New Jersey: Prentice-Hall, Inc., 1987.
599 & 306 Shafer, Audrey. "Their Eyes Where Watching God" Harper & Row (New York) 1937 7 July 2000 web James.