Kurtz In Conrad's Novel example essay topic
Marlow is told that when he arrives at the inner station he is to bring back information about Kurtz, the basis of this comparison and contrast in this paper, who is the great ivory agent, and who is said to be sick. As Marlow proceeds away to the inner station "to the heart of the mighty big river... resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country and its tail lost in the depths of the land" (Dorall 303), he hears rumors of Kurtz's unusual behavior of killing the Africans. The behavior fascinates him, especially when he sees it first hand: "and there it was black, dried, sunken, with closed eyelids- a head that seemed to sleep at the top of that pole, and with the shrunken dry lips showing a narrow white line of the teeth, was smiling too, smiling continuously at some endless and jocose dream of that eternal slumber" (Conrad 57). These heads that Marlow sees are first hand evidence of Kurtz's unusual behavior.
The novel ends with Kurtz "gradually engulfing the atrocities of the other agents in his own immense horror" (Dorall 303). At his dying moment, Kurtz utters "The Horror! The Horror!', which for the novel are words reflecting the tragedy of Kurtz, and his transformation into an animal. Apocalypse Now is a movie that is similarly structured to the book but has many different meanings. The movie takes place during the Vietnam War. The narrator is Captain Willard, who is given a mission to locate and kill Colonel Kurtz, who is said to be in Cambodia killing the Vietcong, South Vietnamese and the Cambodians.
Willard journeys up the Nung river to find Kurtz, and eventually finds and kills him. Kurtz's words "The Horror! , The Horror!" in the film have a different meaning from the novel. Their meaning is not definite though and could only be understood by taking a deeper look at the character of Kurtz this film. At the point when Willard, from Apocalypse Now, and Marlow from Heart of Darkness, meet up with their Kurtz es, the two media break off from their similar structure and start to develop differently. The Kurtz in Conrad's novel is told to be "a universal genius, ... the flower of European Civilization" (Conrad qt d. in LaBrasca 289).
Kurtz becomes a beacon of hope for Marlow who is searching for him amid much heat, bugs, natives and immense fog. Marlow approaches Kurtz's place of refuge, described as "the shack of the 'universal genius's unrounded by a crude row of posts, holding high the severed heads of 'rebels (Africans) " (Conrad qt d. in Labrasca 290). From these words we can see that Kurtz is no ordinary man.