L Honor Of The King example essay topic
Autriche indicated as regent controls the country with the Mazarin cardinal. A revolt starts, c? est the Sling, the young sovereign must flee Paris. In 1661 Mazarin dies, Louis XIV, 22 years, then decides to only reign as a Master on France? The transformation of the small castle into "bricks and stones" of Louis X into a vast marble's? effect ue and stone palate under the personal control of Louis XIV. Between 1661 and 1666, Vau alters basic in roof the small castle, decorates the walls with busts, columns of marbles and gilded grids. It builds also commun runs of share and d? autre of l? entr " ee of the castle as well as the first orangery and the menagerie in the Small Park, of which Ours traces the new floors and the basins.
Hydraulic L? importante machinery which is used to feed the current water tower is built by Francine. Lastly, the kitchen garden of the king must be used for l? approvisionnement of the Court, but is also a d? experimentation place for the culture of the fruit and vegetables. The castle undergoes a radical transformation between 1666 and 1683; Vau builds a new castle which wraps the existing building on the side garden, but does not modify it side court. The new frontages of stone Vau are sober and elegant, while the apartments deploy all ostentatious of gold, the marbles, the mirrors and the frescoes carried out by largest. Stopped by the war, work begins again in 1678: Mans art builds the gallery of the ices, the wings of north and the South and the new orangery.
The part d? eau of Swiss is dug. In 1682, Versailles becomes the official residence of King Part out, l? ampl or of work and the majesty of constructions impresses. 2 LIFE WITH THE CASTLE. A) The political life L? organisation of the capacity, after the death of Mazarin changes. The members of the royal family (including the queen mother) and the princes of bloods are isolated government. Three men only will sit at the Council of the King: Tellier, Minister for the war, Lioness, in charge of the Foreign Affairs, and, in finances, Fouquet.
Near this last, of which it is wary, Louis XIV places a right-hand man, Colbert. Fouquet is a superintendent of Finances since 1653, he piled up a colossal fortune, often with the detriment of the royal Treasury. C? est Richelieu which supports this gifted young man: to advise at the Parliament of Metz at sixteen years, Master of the requests with twenty, it passes, with dead of the cardinal, the service of Mazarin. In 1661, Fouquet organizes, as a l? honor of the king, a sumptuous festival. It n? a nothing saved to dazzle its royal host.
But, Louis XIV n? aime hardly qu? on tries to exceed it in magnificence, even less qu? on reaches that point. Colbert, joins together a file overpowering on the embezzlements of Fouquet. Fouquet is stopped in Nantes, 5 September 1661, considered and condemned. The king will be from now on his own superintendent and will's? occuper a finance public personally. More principal minister, more superintendent of Finances, the king decides without call, the absolute monarchy was born. Each morning, nine hours at midday, meets one of the Councils charged d? informer and d? as sister the king in his task.
One Monday out of two, as well as Wednesday and Thursday, the King and his closer ministers find themselves for the Council d? en high, most significant for the businesses of l? Etat. Louis XIV and his ministers make the great decisions of foreign or interior politics there. Tuesday and saturdays the Council of finances in charge of management meets of the Treasury, of l?' etablissement of the budget, the tax allocation (in the second part of its reign, the King's? en ferme Friday with its confessor and l? archer^e que of Paris for the Council of the consciences where is regulated the religious businesses). Lastly, each fortnight where the Council d? en high does not meet, takes place the Council of the dispatches, devoted to l? administration of the provinces. One studies there the reports / ratios sent by the intendants.
B) The social life the palate is too small so that l? on can lodge everyone there. Luckiest and appreciated are placed and sleep in Versailles. To enjoy this privilege, one sees powerful lords being satisfied d? une modest room, icy l? hiver, torrid l?' et'e. As for the others, called "urchins", they do not remain on the spot.
Once the finished festival, they should regain their housing, sometimes quite distant. All endure, without anything to say, too happy d? ^etre in the same castle as the king, l? in confort, the odors, promiscuity, crowd and the thousand and one defects of this castle; the large parts with high the marble ceiling cold in winter, are only heated by a chimney, housing exiguous, the currents to d? air persisting and murderers, without forgetting the odor putrid of the close marshes. Nobody n? a thought has to make install "conveniences"? Les splendid floors are soiled d? immondices. But Versailles c? est the festival, the dance, the evenings where l? on competes the words d? e sprits, often with depends on the others. Until late in can the night, one gain or to lose fortunes, indeed, the king accepts that in his residence are organized, games of chances such as; carte, jacquet, billiards, lottery?
B) The cultural life From the 7 to May 12, 1664, are officially given in favour of the queen mother, Anne d? Autriche a sumptuous festival, "the pleasures of l? ^ile magic" according to a topic borrowed from two great poems epic of the Italian Rebirth. Lully composed the music of the ballets in which the King takes part who likes to show his talents of dancer. Moli " ere and his troop play "the princess d?
Elide" a part written with the haste of which only the first towards is in worms. The setting in scene makes forget the weaknesses of the text. At the end of the representation, a splendid fire d? artifice sets ablaze Versailles. The animals of the royal menagerie take part in the spectacle. D? autres parts always of Moli " ere are represented; "Annoying" the, et "Sanctimonious hypocrite" Certains laugh yellow.
C? est that l? autor strikes hard and right. Sanctimonious hypocrite makes squeak teeth; la cabal against Moli " ere's? organise. The chiefs-d?? uvre are not always triumphs, and the triumphs are not always chiefs-d?? uvre. Strato nice de Quin ault will make 146 representations, Timo crate of Thomas Corneille, 80. Never Racine will exceed 30 representations. Nevertheless, all these authors were appreciated and defended by the King.
There were in Paris three theatres: the theatre of the Marsh, l? H^otel of Burgundy, and that which Moli " ere divides with Italian actors (the future Comedy - Frenchwoman) A Versailles, the parts can be given outside, in the Marble course;' a l? interior, with the foot of l? e scalier of the Ambassadors. He n? y does not have a room Louis XV and will l? op " era built Gabriel for a room with the measurement of the castle.