Local Color Regionalism In Tennessee's Partner example essay topic

The literary movement of local-color regionalism in American literature is a very distinctive and interesting form of fiction writing that effectively combines regional characteristics, dialect, customs and humor. In Bret Harte's Tennessee's Partner, these characteristics helped the story jump off the page, allowing the reader to understand the "times" rather than just the characters. And, for that reason, I feel that this is an outstanding piece of work. One of the most distinguishable characteristics of local-color regionalism writing is the usage of authentic dialect based on the story's setting. In Tennessee's Partner, Harte uses this tactic best when quoting the title character.

For example, when Tennessee's Partner suddenly appears in court on behalf of his best friend, Tennessee, his words are carefully written based on how they sounded from his mouth - not on how they should be, grammatically speaking:" ... Tennessee, thar, has played it pretty rough and expensive-like on a stranger, and on this yer camp. And now, what's the fair thing? ... Here's seventeen hundred dollars in coarse gold and a watch, -- it's about all my pile, - and call it square!" Such talk effectively captures the typical conversation of the Old West and the Gold Rush and gives the reader a feeling of authenticity. Tennessee's speech is similar, though not nearly as rough.

Although not one hand of poker was played throughout the entire story, Tennessee revealed, through his use of words in his everyday situations, that he most definitely knew his way around a saloon in the evenings. His most memorable dialogue was between the thieving Tennessee and his captor, Judge Lynch: TENNESSEE: "What have you there? - I call". LYNCH: "Two bowers and an ace". TENNESSEE: "That takes me". Another local-color characteristic that Harte used in Tennessee's Partner was the development of characters based on their setting.

The reader never feels like he knows much at all about any of the characters - even Tennessee and his partner - at all. In fact, neither does the narrator. But through the use of description, the two main characters become more stereotypes of miners in the Gold Rush era; they were typical rugged, gambling, scorched-skinned, strong, simple womanizing men. This much is true with no one more than the title character, as his actions reveal more about the time's 'concept' of death during his friend's execution and burial rather than going too deep into his own personal feelings about this particular death. Tennessee's Partner quickly compares his friend's burial to all the other drunken trips his shouldered with Tennessee in the past and seemingly moves on from the finality of the situation with ease. Lastly, Harte uses the setting as a major element of the story, almost turning the vast land of Tennessee's Partner into a character itself.

The settings in most local-color stories usually have an emphasis on nature and the land is usually remote and out-of-the-way, and the setting of this story is no different. When reading the section of the story regarding Tennessee's marital exploits, the reader may ask, 'How far is Poker Flat from Marysville?' or 'How far is either one from Red Dog and Sandy Bar?' but both questions remain unanswered and is left entirely to the imagination. Harte almost seemed to drift from the core of the story during Tennessee's execution when he takes time to point out how beautiful the morning of his death was and it was filled with "infinite serenity". Harte effectively used this technique to show the irony of the situation, but it was also as if the "morning" itself (and the unusually warm night before) were two new characters that had just shown up to view the trial and hanging.

With the use of unique character development, setting, and dialect, Harte took what is really just another episode of Law and Order and turned it into a vast, colorful view of Old West life in California. These characteristics are very interesting in the local-color writing technique, as they take something clear and make it vague but still very much effective. Harte captured not only the story of a friend losing a friend, but also the essence of daily life during the Gold Rush.