Making Of Saving Private Ryan Captain Miller example essay topic

Steven Spielbergs film Saving Private Ryan attempts to recount the horror of war and reach out to the collective social conscious of todays society. The majority of society have not experienced war and through the historical recollection, the medium of film and the characters of the story, Speilberg builds a powerful film which touches us all in the hopes that future generations will remember and not advocate war to resolve issues. Speilberg stated, My hope, my purpose in doing the film this way, is somehow to re sensitize to how bad it was for the men who survived, as well as for those who perished. (Taylor) Steven Spielbergs film, Saving Private Ryan is a depiction of one of the most crucial Allied offensive in World War II, D-Day on June 6, 1944. German armies under the direction of Adolf Hitler, Chancellor of Germany had already captured the European countries of Austria, Czechoslovakia, Poland, Denmark, Netherlands, Belgium, France, and Italy. Hitler in his goal or achieving world dominance for Germany had his sights set on capturing both Britain and the Soviet Union.

D-Day was the Allies secretly scheduled day to invade an 80 kilometer stretch of Normandy Beach, on the coastline of France. The plan was to have British and Canadian troops invade the eastern shore while the Americans were to invade the western shore of Normandy under cover from the Allied airforce. The Allies had regained control of Italy over the Germans and the attack of the German army in France on D-Day took place on five beaches along the Normandy Beach, code named Utah, Omaha, Gold, Juno and Sword. The initial focus point of the film was the American invasion of Normandy at Omaha Beach on D-Day. This German stronghold was the most difficult post to overtake because the Germans held the bank overhang in the beach to defend their position. This gave them a clear advantage as they could see all along the beach and could shoot down at the enemy on the shore with ease as there was very little cover.

As the Americans landed on the beach they were immediately fired upon by the German soldiers and incurred many injuries and casualties. The American army pressed on under enormous odds and eventually took the beach with the assistance from the American airforce bombing the German armies and the landing of thousands of paratroopers inland behind the German lines. The Americans paid a very high price for victory at Omaha Beach resulting in 7500 American casualties. This victory along with four others by the British and Canadian troops along Normandy Beach on D-Day gave the Allied Forces a much needed second front on European soil.

The defeat of the German army in Italy provided the allies with the only other European land base to liberate Europe from German control. D-Day was a turning point for the Allies which ultimately led to the German surrender and freedom for Europe. Spielberg creates Saving Private Ryan within the historical significant event of D- Day to retell the horrors and sacrifices of W.W. II to society. Spielberg, wanted to show the brutalistic and shear terror of combat without standard macho posturing and sentimental patriotism. (Taylor) Boot camp for the audience", Steven Spielberg has called Saving Private Ryan (Extra Footage). Like a drill instructor yelling at a new recruit, Spielberg opens Saving Private Ryan with a 25 minute D-Day invasion sequence that engages audiences with the utmost ferocity.

More realistic than any stretch of any other war movie ever made this sequence brilliantly accomplishes a shrewd dramatic objective, to bring a fictional story to life, with one of the most influential events of the 20th century (Extra Footage). The audience could feel the fear on the beach under enemy fire with wounded and dead soldiers everywhere. Spielberg conducted thorough research and interviewed veterans of W.W. II to make the scenes as historically accurate as possible. To make his film as realistic as possible, Spielberg hired a retired army officer to validate the film and to conduct four days of boot camp for the actors. This included sleeping out doors in the rain and eating army rations so that the actors could identify with their roles (Extra footage). To help his entire crew understand the realism of war, Spielberg iterated his first rule, "There are no rules.

As in combat, things happen fast and unexpectedly, so we cut against expectations, against any reassuring rhythms" (web). To ensure realism and to obtain the dramatic effect Speilberg took roughly three weeks to shoot the Omaha beach scene. Spielberg used realism to connect with the viewer and relied on three friends and first rate filmmakers to help him portray his vision, cinematographer Janusz Kaminski, picture editor Michael Kahn and sound designer Gary Rydstrom. The scenes of graphic gore was an effective tool to bring the horrors of war to the audience even though it may have made some people cringe.

For those who have never experienced war, Spielberg use of hand held camera to film many scenes to give an intimate feel of what war was like by being close to the action, as well as using the unsteady hand shot to portray confusion and fear / anxiety that the soldiers would feel. For instance, the hand held camera was utilized during the filming of the beach invasion. This allowed the viewer to feel the sense of disarray and Spielberg used it as a metaphor for the numerous thoughts and emotions each soldier was experiencing. The audience sees the scene through the eyes of the soldiers as they scurry up the beach desperately trying to seek cover.

Kaminski decided, "the goal was to shoot like a bunch of actual combat cameramen" (web). He found particular inspiration in the photographs of Robert Capa, whose D-Day images haunted Kaminski because "you feel that these people are already dead". To evoke Capa's aura, Kaminski's team hit the beach with shaky handheld cameras letting their focus go fuzzy by mixing the exposure levels and lighting conditions "so there wasn't any optical continuity. We wanted viewers to feel completely disjointed, or confused, from image to image... like the camera is one of the soldiers, going up and down, hiding, afraid it's going to get shot" ( . cinematographer. com). Kaminski and Spielberg briefly considered filming the entire movie in black and white but realized monochrome would blunt the impact of the blood from the casualties and wounded soldiers. This technique helped portray realistic scenery to the audience.

By stripping the lenses of protective coatings, flattening the dark-to-light range, turning blacks gray and blue skies white they mimicked the bleached look of actual color combat footage shot during W.W. II. To further stifle any bright Technicolor tones film release prints went through a chemical process that drained almost all of the color present in the original negative. This technique helped the audience feel the dreariness and vagueness of war. Although the soldiers were in a platoon they were lonely, far away from home, no where to turn with death in front of them.

Speilberg wanted to portray the battle realistically without sensationalizing the war scenes. He wanted the audience to evoke the feelings of excitement, fear, dread, adrenaline, sadness, hope, happiness, relief a soldier would experience all at once. Spielberg wanted the film to demonstrate the sensitivity and authenticity to give his film credibility especially to the W.W. II veterans who had experienced it. Some of the movie's most appalling images of human bodies blown apart in midair required both computer graphics and on-set stunts. For instance, a severed leg coming off one soldier involved an animated spray of gore laid over footage of a real-life amputee stuntman. According to Kaminski, the bulk of the computer graphic work done by George Lucas' ILM effects shop was to enhance gun-muzzle flares and to digitally create dozens of ships and barrage balloons for long shots of the Allied forces massing at the shoreline.

Speilberg want the audience to be emotionally moved by the film and not just an action movie. Spielberg also uses a blurring technique to give the viewer a better sense of what war was like. It was utilized in the landing scene when Captain Miller was overwhelmed by what was happening and became oblivious to everything around him. This technique gave the audience the feeling of being engulfed in emotion because only Captain Miller could be seen clearly with everything else being blurred. The only sounds that could be heard during this time were the crashing waves as Miller was blocking out the killing and was just focusing on doing a job. The movie's unsettling shifts to jerky, stop-start speeds when Captain Millers character is overcome by the carnage on the beach were fine-tuned by Kahn and Kaminski.

The editor took footage shot at half the normal speed 12 frames per second then double-printed each still frame. The result was that the film was projected at 24 frames per second, the pacing of the action is "normal", but everything moves in a strobe d-out manner. This provides realism to the viewer as even though things are quickly happening around Miller it is almost if his mind is in slow motion. Spielberg used very little scoring throughout the film in order to achieve his vision of realistic depiction of W.W. II.

Intentionally not musically scored the beach assault wages a full attack on the audiences auditory canals. Sounds of bullets whiz around your head, shells shoot past and behind you, piles of slugs seem to pierce hundreds of pieces of metal and flesh within a 360 degree sound field. Sound designer Gary Rydstrom explains the action, "isn't at a fixed, safe distance in front of you. You " re in it" (web PVT.

Ryan). Ironically, to make the scene feel extremely loud Rydstrom uses a technique that for every 110 decibel plus exploding shell there is a converse valley of low-volume respite. It was by inserting such contrasts that Rydstrom created the impression of unceasing noise. A dramatic example of this technique is the disconcerting 90 seconds of simulated deafness when a shell goes off next to Captain Miller as he was protecting the bridge at Rome ll near the end of the film. "I've heard of audiences thinking it's their own hearing they " ve lost", says Rydstrom. Spielberg engages the viewer with realistic sounds of war.

Rydstrom developed his sound mix from hundreds of audio tracks with a talent that seems unmatchable drawing on an astonishingly precise library of sounds. He used the Internet to locate sound caches of working weaponry and equipment from all over the country and then traveled to record them. For example he recorded Browning automatic rifle shooting rounds in Georgia, Alabama. Why did the bullets ripping into human flesh seem so sickeningly vivid to the audience The answer is because it was flesh, to make the film as realistic a possible. Rydstrom recorded the sound of working W.W. II guns firing into animal carcasses and butcher-cut slabs of pork to simulate the sound of a bullet entering human flesh. Spielberg was so set on not using the movie sound clich of echoing ricochets that he "called many, many times about it", Rydstrom says (Reference).

Chasing that same sense of authenticity, Rydstrom talked to many war veterans. "What they mentioned again and again", he recalls, "is that German machine guns sounded more ferocious than ours. A German MG-42 shot 1,100 rounds per minute, about twice as many as the comparable American gun. That sound became very distinctive and very scary to soldiers because the bullets came so fast, they were just a blur of steel" (Reference). Heading into the Vill Spielberg used the sound of raindrops falling and slowly converted them into echoing gun shots in the Vill.

This transition was not only interesting but it showed the elements that the soldiers faced as well as the perpetual threat of the enemy. Spielberg ensured that the sounds as well as the picture were authentic to portray the real horrors of the war to the audience. As a result of some exceptional filmmaking and collaboration, audiences have come closer to feeling what it was like to be in the crossfire of those weapons than any civilians in history. Spielberg was successful in showing, the brutalistic and shear terror of combat without standard macho posturing and sentimental patriotism (Taylor). The scene where the Americans meet German soldiers inside the church is a prime example of Spielbergs way of building suspense. He uses the calm before the storm technique by using undertones in dialogue and music to let you know that the storm is actually coming, the audience just doesnt know when.

Miller and Sizemore have a conversation about the justification of war, while the medic, Wade reminisces about his mother. The next day on the battle field the medic is killed. Also the candle lighting in the church provides a somber feeling like preparing for a loss, even though they had just made it through the Vill and should have been at least glad to make it. The score to Saving Private Ryan is a good example of using music to support the film. The theme song is slightly reminiscent of the remembrance day song giving the viewer that somber feeling but the other songs in the film are bursting with energy and almost give the film a certain glory. Spielberg develops the plot and the characters in the film so that the audience can identify with them.

After over taking Omaha Beach Captain Miller and 7 soldiers next assignment is to go behind the German lines in France and rescue Private Ryan. The Army wants him rescued as three of his brothers have died in other war battle and the General doesnt want his mother to lose him as well. sis based on Each character represents a unique part of everyones personality, while remaining believable. Cpl. Upham represents childhood and youth, as well as being frightened. PFC Reiben represents defiance. Medic Wade represents thoughtfulness and healing. By allowing the viewer to connect with the each of the characters, the feelings that they have are more strongly felt by the audience.

This intensifies the message because the individual is more involved in the storyline. In total this creates a film which has power, and Spielberg has definitely accomplished that in the making of Saving Private Ryan Captain Miller is a human metaphor for determination in Saving Private Ryan. His reasoning for war, combined with his drive and passion, makes him a mystery. What profession could this man have other than the Army It turns out that he is a school teacher, but his family is what puts the fire in his belly.

The journey that Spielberg takes us on with Capt. Millers persona is uniquely interesting. During the first scene, we see him as a iron gutted army man, yet by the third scene, we begin to see Hanks as more than a walking weapon, and his intellectual side begins to come through. He uses his quick wits to answer a question about what he would say if he were to complain, and instead of whining to his troops and discouraging them, he stated that he thought it was a valuable mission, with a valuable objective. This also showed his men that he was not going to put up with any whining from any of them, because he didnt do it himself. Later in the movie, he begins to talk with Cpl. Upham, and just as you think he might reveal himself, he hides in the shadows again, waiting until the pot on him gets larger. Soon after though, when a conflict breaks out between Sgt. Horvath and PFC Reiben, the Capt. tells the saud about himself to help save face in the mission, and to get the other soldiers to consider what is important to them, and why they joined the army in the first place.

That is the first time that the audience really sees the real Capt. Miller, and also when the audience begins to really care what is going to happen to the characters. At the beginning of the film Capt. Miller is portrayed as a nose to the grindstone military man, with only the end of his present mission in sight. But as the movie progresses, we begin to see the other side of Miller. As the pool on what he does for a living out of the army grows, and tensions arise about a decision that he makes, we begin to see the emotional side of him. The deep focus on the mission was not military based as everyone had thought, but it was so that he could once again return home to see his wife and kids.

This was the turning point for the audience, as they began to become emotionally involved with the Capt. and eventually lead to what make Saving Private Ryan such a tragedy. PFC Jackson and Pvt. Mellish were contradictions in the movie. They were both religious, but were killing men, and being active participants in the war. PFC Jackson even considered his sharp shooting talent a gift that god gave him to use against the Germans.

(If god be for us, then who be for them) Pvt. Mellish had an extra reason to fight the war, he was Jewish, and showed his contempt for the Nazis, during the scene which took place at the rally point. As Nazi POWs walked by, he taunted them with the phrase yeuden which means Jewish in German. Sgt. Horvath showed his courage at the end of the movie, when they reached Remmell. quote about best damn thing about the war was how he justified the battle, and he fought to the bitter end. With the Germans heavily dogging the weakened Americans Sgt. Horvath was shot, and mortally wounded. Knowing this he, told Capt. Miller to move on and he would hold down the fort on the front line, hoping that his already dying body might save the lives of his other fellow soldiers. Pvt. Ryan was also a hero, because of his sense of duty, he stayed to protect the bridge at Remmell, even in light of his brothers deaths.

He told Capt. Miller right out, that there was no way that he was going to abandon the rest of his unit. T/4 Medic Wade was the most compassionate soldier out of the fleet. Having to deal with death everyday, and having it live or die in his hands made him so conscious about it. So naturally when the other soldiers began making a game out of dead mens dog tags, in front of the Division which they belonged to, he became angry. He stormed up to the men, and started shoving dog tags into the bag, screaming the whole airborne is watching, dont you realize that The other soldiers didnt allow themselves to see a dead person behind every tag, only a name, with no meaning.

Spielberg used it to show the various coping mechanisms used by soldiers to deal with how overwhelming war is. Cpl. Upham represents youth, and fear. He had never been in a combat situation before, but because he was tri-lingual, he was forced to acompany the fleet sent to resue Pvt. Ryan. Through the course of the four days which they were together, the Cpl. learned many lessons. In the begining it seemed as if he was just a tag along, and not part of the squad, but as the time wore on, he began to fit in with the other soldiers. (Compassion with Nazi POW before Remmell ties in with Medic) was a very young man.

Obviously educated, he was tri-lingual, but still had to fight in the war. During the final combat scene you can relate to what he is feeling, because although he is not completely, it is like he is a child on the battle field. Spielberg develops the characters in such a way that you can relate to them. Each character represents a unique part of everyones personality, while remaining believable. represents childhood and youth, as well as being frightened. represents defiance. represents thoughtfulness and healing. represents... The At the beginning of the film Capt. Miller is portrayed as a nose to the grindstone military man, with only the end of his present mission in sight. Speilberg used it to show the various coping mechanisms used by soldiers to deal with how overwhelming war is.

Capt. Miller: tragic hero, complete mission and go home to wife and kids T / Sgt. Horvath: Right hand man, PFC Rie ben: No emotion helped him cope, would rather be doing something useful Pvt. Ryan: Hero, wanted to stay and finish his mission PFC Jackson: a contradiction of terms, religion and war, If god is on our side, then who is fighting for them Cpl. Upham: fear, young kid, obviously educated, tri-lingual, really shouldnt be there, has a conscious. T/ 4 Medic Wade: compassion, the dog tags, all the work for nothing when he patches up a guy, and is immediately shot. Pvt. Mellish: Jewish, again contradiction of terms, religion and war, the hate that must be inside of him. Pvt. Caparzo: compassion, the child that looked like his niece, longing for home, I think Capt Miller has to go in a separate category, considering the story revolves around him. You could also place Sgt. Horvath in with Miller, but needs to be done strategically so that it does not deter from Miller.

Jackson and Mellish, religion and war together. Medic and Caparzo, compassionate. Upham could hold a whole paragraph with the fear aspect as well as the youth at war concept. PFC Reiben, could also slide in with the contradiction, using no emotion to cope, instead of religion.

Other Notes: 50% of the movie footage was shot with the handheld camera. Minimal Background music, and the battle scenes un scored. W.W. II history: In 1933, Adolph Hitler became chancellor of Germany and declared himself der Fuhrer (the leader) ending the existing democratic German government and making Germany a Fascist nation where no opposition or criticism of the government is permitted. His Nazi Party began breaking the rules set forth by the Treaty of Versailles, a Treaty which restricted. This caused an outcry in Britain, but Neville and Mackenzie King believed in the policy of appeasement, hoping that that would prevent a war. Hitler used this to his advantage walking into Czechoslovakia, and later using his position in the country to take Prague.

In doing that, he violated the Munich Pact, and Britain and France immediately declared war. Hitler then headed for Poland, trying to gain a pathway to East Prussia, so that he could eventually rule all of Europe. After Poland was taken he set his sights on Norway, which was taken almost as easily as Poland. The Netherlands, and Belgium were the next to face the Nazi wrath, as they bombarded in and seized the country, after the Dutch army surrendered. With the small countries out of the way Hitler was ready to take on a more ambitious project. On June 14th the Nazis gained control of Paris and on June 16 the French government signed an armistice with Germany.

Hitler was extremely surpassed though that Great Britain did not surrender after the fall of France. So he approached Churchill about peace between the two, but Churchill would never even consider the idea. So Hitler carried out a series of air attacks on Britain. After the air attacks weakened Britain the Nazis were supposed to invade, but as the Royal Air Force mobilized they took down the German planes at a crippling rate. and D-Day was a planned attack on German forces in France via the English Channel. When Hitler realized that the Allies were gaining on his troops, he began launching guided missiles toward Britain, killing many civilians and damaging everything. The Allied Armies moved into Germany in 1945, and after an unconditional surrender of Italy, Hitler committed suicide to escape capture from the Soviets.

The war in Europe was over. D-day was such an important part of the defeat because the two fronts caused the German army to divide, allowing the Soviets, and the North Americans to fight against a weakened army.) Tom Hanks determination, perseverance, Mystery, duty, hes there to be a soldier, when he gets back home he will be who he was before. Spielberg develops each character in a slightly different way. The way that Captain Miller used gum to stick a mirror on a bayonet to spy on German sharpshooters, is much like the old-fashioned equipment that editor Michael Kahn lugged directly to the battle's filming location. Spielberg refuses to use electronic editing equipment. He believes that it was the basics that got him to where he is so he is gong to stick with them.

Kahn dragged a Mo viola viewer, an Eight Track to the modern day mini-disc, to the Irish coast, where the invasion was staged. That way, director and editor could review and splice together footage each day while Kaminski and crew worked on their shots.