Non Fiction Account Of The Poem example essay topic

Blurring the boundaries between Fiction and Non-Fiction has always been a great way for authors to make their points, yield their arguments, and to keep interest. Some may even be inclined to believe that there is not a definite boundary between the areas of fiction and non-fiction. Fiction is often used throughout non-fiction writings as more of a point of view than a character in itself. This voice is not exactly a character in the text, but it still exercises an attitude toward the material to help control the writing. "Lola", by Truman Capote is a great instance where these boundaries are so well mixed, that it becomes hard to tell the difference where one starts and another begins. This story is about a bird named Lola, and the main character.

At first, Capote doesn't like the bird and in fact despises it. However, towards the middle and towards the end of the story, he beings to care for the bird and treat it as a pet. This story does not state very many facts like one would expect throughout a non-fiction account, but rather tells a story like in fiction writing. By doing this, the reader would actually never suspect that the story was in fact non-fiction without being told so. It is a first person account of the events that unfold throughout the story.

Capote does a fantastic job of revealing these events and holding the readers attention instead of boring the reader with the strict description, times, and dates such as one would find some non-fiction writings. He incorporates humor into the story to help with the excitement of these events. "The Kerry decided Lola was the latter. He tapped her with his paw. He chased her into a corner. She fought back, pecked his snout; her cawing were coarse and violent as the harshest cures words.

It frightened the bulldog; ... ". This sentence revels some of the intermingling of fiction and non-fiction that Capote utilizes within the account. He is actually giving human characteristics to these animals where the dog "decides" and the bird begins to "swear". Capote does not actually know what these animals are thinking so this is a perfect example of fiction controlling the tempo throughout a non-fiction writing. The structure of "Lola" relates strongly to the structure of a fiction story.

It includes an introduction, middle, climax, and ending. Similar to fiction, there are many events and foreshadowing all through the story. "Lola's misconception was certain to end in tragedy: the doom that awaits all of us who reject our own natures and insist on being something else than ourselves". This sentence foreshadows the doom of Lola, something that you usually do not find in non-fiction accounts.

There are many different events that lead up to the climax, but in the end, Lola ends up falling of a balcony and becoming lost forever. This is a rarity in most non-fiction stories because they mostly refer to fact and history rather than trying to hold the readers attention through the entirety of the story. However, this story does include non-fiction structure as well. It is based on chronically events like most non-fiction works and does include many intricate descriptions of the characters themselves and the events that are being described. "An Occurrence at Owl Creek Bridge" is yet another non-fiction account that incorporates fiction into the story.

The author includes fictional events to throw the reader off of the original story. It starts out as a classic non-fiction writing where the events are unfolding in succession and there is not much action to the story, mainly description. This is also an example of when the voice is not exactly a character in the text, but it still exercises an attitude toward the material to help control the writing. The reader never really figures out who the author really is and how he knows everything that is taking place throughout the story. The author must be there but he is not exactly a person who is walking with the prisoner. Everything is purely non-fiction up to the point where the prisoner is falling and the rope tightens around his neck.

The story then jump to a flashback of his life and family, bet when the story returns, the prisoner is having a vision or an image or himself. The only thing is that the reader does not know that this part of the story is fiction until he or she gets to the end of the account. The prisoner imagines himself escaping, of course, this is purely fiction placed strategically right into the middle of a non-fiction story. This is just a trick that the author uses to hold the readers attention and interact the events of fiction and no-fiction. Without this fictional event, the story would be boring and uneventful. Therefore, the including of fiction throughout non-fiction helps to make the writers points and to hold the interest of the reader.

Hiroshima, by John Hersey is yet another non-fiction anecdote in which fictional characters are used to help make points, build arguments, and to keep interest. Of course, John Hersey would not be able to interview or talk to everyone that is included in the story. Therefore, he incorporates random people into the story as bystanders or extras that you find in movies. He does not know how they are feeling, for all he knows; they could be the happiest people in the world. But with the actual events that are unfolding within the story, he guesses that they are dismal and dreary. Structurally, this book is enormously different from any other non-fiction account that many people have ever read.

Most non-fiction accounts are based on chronically order such as textbooks, science books, and history books. They state the facts and nothing extra and really have nothing in them to help hold the reader attention. The reader has to want to learn about these subject to become interested in the books. However, in Hiroshima, the events are not based upon chronically order, but character order. Hersey jumps from character to character and basically reveals six separate stories throughout this one writing. He is using a fictional writing style in a non-fiction book to help with the overall quality of the novel.

Poems are also writings that can cause non-fiction and fiction works to become combined into one. It is almost impossible to be able to tell is a poem is fiction or non-fiction after reading it because the writers have so much freedom while writing a poem. They don't have to follow any of the punctuation and capitalization rules. The can ignore the sentence structure and write about anything they want.

It can rhyme or not rhyme, it just depends on the writing and how he likes to write. "Danny Deever" is a poem that is extremely difficult to tell if it is fiction or non-fiction. It does rhyme but yet it does not contain any made up words or phrases. The reader does not know if Danny Deever is a real person or just some made up fictional character.

The poem actually describes Danny and his death to the reader. "For they " re done with Danny Deever, you can hear the quickstep play. The regiment's in column, and they " re marching us away". These Sentences show how the poem rhymes and yet confuses the reader in the fiction or non-fiction account of the poem.

The reader does never really discover what the poem is and this is the exact reason why the author made it this way. To keep the reader guessing and to hold the attention. Blurring these boundaries between Fiction and Non-Fiction has always been a great way for authors to make their points, yield their arguments, and to keep interest. If authors did not utilize this particular technique, most non-fiction accounts would become boring and uninteresting to a reader who did not want to learn about the particular. It is completely acceptable as long as the readers are told of the fictional aspect of the work. This is not one of the easiest techniques to use but if written correctly, creating a fictional account cannot be considered anything but excellent writing.