Olmec Culture example essay topic

The Olmec were farmers, traders, artists... innovators. The Olmec culture first emerged in the Isthmus region of Tehuantepec. The site of San Lorenzo, which sits on the Coatzacoalcos River, sheds the most light on this mysterious culture. During this time period, The Ini tail Formative, food surplus sparked an increase in population and career specialization.

With the increase of specialization and sedentism came the environment for complex culture. The Olmec people were farmers, "using ground-stone tools to clear the rainforest along the rivers by using a slash-and-burn farming technique" (Evans 2004: 135). Amongst the crops raised were maize and manioc. Using the above mentioned farming methods, the Olmec people were able to create a food surplus that allowed artisanship and trade. Many items from neighboring regions were traded by the Olmec.

Jade, an extremely sought after stone, "whose blue green color may have been associated with life force" (Evans 2004: 131). Obsidian from Otu mba, Guadalupe Victoria, and El Chay al were also traded to the Olmec people. Obsidian was used to make knives, pottery and even a "grating device used to process manioc" (Evans 2004: 135). Raw materials like basalt and rubber were also traded in the region. The Olmec artist was a skilled member of society.

Amongst the Olmec art forms, sculpture was very important. The Basalt that was imported into San Lorenzo was often used for Monumental size sculptures. The Olmec colossal heads are famous pieces of early formative art work; some standing much taller than a full grown human (9 feet). Of the seventeen known heads, most have been found at San Lorenzo wearing helmets that had possibly been used in ballgames.

At El Azuzul another important monumental sculpture was found, a pair of twin males facing a jaguar. "This scene offers powerful images of duality and shamanic transformation, as indicated by the postures of the twins" (Evans 2004: 141). In the Olmec art forms there is evidence of ritual importance of the natural landscape. Mountains symbolize an entrance to the upper world.

Caves symbolize and entrance to the under world. "Water symbolizes the precious essence of life" (Evans 2004: 135). These theological themes may have been precursors to following cultural belief systems; the Aztecs also shared similar beliefs about their environment. Power and transformation were also evident themes in Olmec art. "Particularly the power gained through the transformation of an individual into a supernatural alter ego, a 'co-essence' known to Mesoamerican ist scholars as a nagual" (Evans 2004: 144). Nagual's had the ability to exist and move in between the spiritual world and the normal everyday world.

Proof of the Olmec's beliefs in the nagual's abilities, is seen in their architecture, sculptures, and art. Sculptures showed what were assumed to be powerful men morphing into jaguars. The assumption that these men were powerful is made because of their higher standard of clothing. Men who knew how to control agricultural growth were assumed to have shamanic powers, and were therefore more powerful men.

The Olmec's lived in an extremely advanced complex culture during their time. They were productive farmers who used tools and techniques that they created, which led to a surplus of food. They were able to mine Jade, which along with the surplus of food was used to trade. Their society contained skilled artists that sculpted extraordinary pieces of work, which were able to embody the society's ritual and spiritual beliefs.