Pablo Picasso And Raoul Dufy example essay topic
Picasso sculpted this sculpture of bronze. While looking at this sculpture it is transformed every time you move your own head, walk around it, and bend closer. It just has a way of changing shape. While looking at it, it first appeared to me as a man or some kind of creature. Looking at the name, one would realize what the sculpture is. The sculpture was a woman.
It has a lot of rough and sharp points, but the surface was very smooth. It is kind of disturbing on how Picasso seems to see beneath the skin. He reveals the tendons in Fernande's neck. The fractured texture of Fernande's face, her hair a system of gorges and upland ridges, is a metaphor for the way we experience another person. (Hughs) Like Rembrandt's most intimate portraits, it is about the mystery of being close to another human being.
(Cooper) Picasso makes you recognize this by inviting your eye down into those channels and crevices, until you feel you are inside Fernande's head. You can never exhaust the richness of this head. (Hughs) The subject of this sculpture is Fernande Olivier. She was Picasso's lover. Fernande's real name was Amelie Lang. She had worked as an artist's model in Montmartre and was an aspiring painter.
They had spent the summer of 1909 in the Spanish mountains, where Picasso painted Fernande in a similarly way. He made this head almost as soon as he returned to Paris. Picasso spoke about being caught by her beauty and began a long term relationship with Fernande Olivier; however by 1909, when he made this head the strain in their relationship was showing. By 1912, the relationship had ended. Picasso broke the tradition in 1909 in creating Head of a Woman (Fernande). It is considered the first cubist sculpture.
Cubism was an art movement that revolutionized European painting and sculpture in the early 20th century. The idea of cubism is that instead of viewing subjects from a single fixed angle, the artist breaks them up into several different aspects / faces of the subject so they can be seen simultaneously. (Penrose) He molded Fernande's head in clay, and then made two plaster casts from which he made a series of bronzes. It is a key work in the development of the cubism period because it was the first time Picasso realized he could translate his new kind of painting into three dimensions. This is one of his paintings from that time in which was made in solid form. Solidity is what Picasso wanted in art, he wanted not just to see the world but to touch it.
Fernande's head is a masterpiece because it perfectly shows his desire to represent not the surfaces of things but, the essence, the structure. (Penrose) The second work of art is by Raoul Dufy. This is a painting is called Nude on a Pink sofa. This painting was made in 1902 when Dufy was in school studying. It is an oil on canvas and it is 38 x 28 3/4 in. When you look at this painting you see a naked woman on a pink sofa facing backwards.
The room is lightly lit from the right side and the light is hitting her on her back side. The room has turquoise and cream walls and the floor has a nice medium toned rug with different colored flowers. The one thing that was noticeable was the woman had her hair up to emphasize her body. Her body was a light grey and green shade, but looking closely, one could see her stockings.
It was a little hard to see them at first because they basically matched her body. The only light shades in the picture, is the pink sofa and the green and grey body. Dufy immediately began to incorporate the lively brush strokes and brilliant color of Fauvism into his work. Fauvism was a short-lived movement, lasting only as long as its originator, Henri Matisse (1869-1954).
He fought to find the artistic freedom he needed. Fauvists believed absolutely in color as an emotional force. Fauvist painted vivid color, free treatment of form, and a resulting vibrant and decorative effect. (Peterson) Working primarily in watercolor, the artist developed a signature technique of highly stylized calligraphic drawings accented with washes of bold color. (Shiva) In 1900, Dufy received a local grant enabling him to attend the 'Ecole des Beaux-Arts in Paris, where he joined Bonnat's studio, and in 1902 he was introduced to Ber the Weill, who showed his work in her gallery. Nude on a Pink Sofa shows Dufy's experimentation with color even before the first Fauve exhibition in 1905.
This painting is possibly Dufy's first attempt to utilize a style that allowed him to show more than just the surface of a subject. And as a student he experimented all that he could. Pablo Picasso and Raoul Dufy both had a very different vision than any artist back in their time had. They both wanted to show that art could be different, but at the same time also beautiful. However, not everyone back in their time thought it was beautiful. In their works they both used women to show their different style.
Picasso used the method of Cubism and Dufy used the method of Fauvism. They both wanted to show how they thought that a woman should look to portray their different visions. These two works of art are both very different because, Picasso made his woman dark and exaggerated and not so pleasing to the eye. Meanwhile Dufy wanted to show the beauty and grace of his woman with his colors. They both show their brilliance by the way they portray their women.
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