Passion Changes Macbeth example essay topic
As Macbeth tries to successfully pursue his prophecies, his mind and body slowly deteriorate until he has nothing left to live for. Tillyard once explained that the human mind works through reason, will, and passion (Tillyard-The Elizabethan World Picture). These ideas are somewhat parallel to Macbeth's actions. Once he begins feeling guilty of his actions, fearful of being caught, and driven to have total control, the motives of his mind are gradually moving from being thought out with reason, to will, and finally to passion. As Macbeth makes his descent into death, his passion to be king gradually takes control his whole being. At the lowest point of his existence there is no reason left inside him.
His mind is so busy and crazy that he no longer has the ability to make thoughtful and insightful decisions. He goes from being a loyal and careful servant to a deceitful and scattered ruler. Macbeth's path into insanity begins when Macbeth first hears the witches refer to him as the thane of Cawdor and reveal that he will be the king (1.3. 51-53). The prediction makes no sense to him and the thought that Duncan would no longer be king leaves him completely confused and fearful of the future. When he does become the thane of Cawdor, however, he immediately wonders if his prediction could really speak the truth.
Macbeth imagines the King being murdered and himself becoming king but immediately shows regret and tries to forget ever thinking such an absurd scene (1.3. 164). His regret for imagining this along with logic and reason force him to decide that if the prophecies are meant to happen they will whether he gets involved or not: "If chance will have me king, why, chance may crown me, /Without my stir" (1.3. 155-156). Macbeth convinces himself that he will not interfere with the predictions at all. Despite his good intentions, when Duncan crowns Malcolm as the Prince of Cumberland, giving him the title of future king, Macbeth acknowledges that this is an obstacle that interferes with his prophecy of being king: "The Prince of Cumberland!
That is a step / On which I must fall down, or else o'er-leap, /For in my way it lies" (1.4. 55-57). This is the first sign of ambition in Macbeth. Although he is still very honest and rational, his spontaneous feelings and wants are beginning to show. Macbeth's feelings of reason, will, and passion are in no danger yet, however they are beginning to be unbalanced.
Macbeth's guilty feelings are a way for him to cover up what is really going on inside his head. His thoughts of being king are only in his head and are therefore no a threat to his surrounding society. It all changes when Macbeth makes the mistake of taking the advice of his power-seeking wife -- bringing his thoughts to life -- and actually kills the King (1.7. 65-79). Not only must he deal with his guilt, but he also has to prepare for getting caught. His actions prove that it is more then Macbeth can handle.
Immediately after Macbeth kills Duncan he puts on an act so no one will suspect him. In his mind everyone suspects him and he has to eliminate anyone who has the ability to reveal what he has done. Macbeth believes that the king's guards saw him kill Duncan and as a result must die. To cover up this horrid act of murder he allows others to think that the guards are probably the ones who killed the king (2.3.
115-121). If others believe that the guards killed Duncan, then Macbeth is justified in murdering them and as a result is learning that he can get away with murder. Suddenly, he realizes that if he cannot get away with killing the king, and his guards then if he must he can do it again. In his mind, the murders must occur and as a result his guilty thoughts are coming less frequently.
Once Malcolm and Donal bain flee Scotland and Macbeth is crowned king, he still cannot relax because he knows that Banquo knows the prophecies and could bring him to destruction. Macbeth decides that it is too much of a risk for Banquo to live because he knows too much. On his own, Macbeth thoroughly plans out the perfect way to murder Banquo, and has it done immediately: "It is concluded: Banqou, thy soul's flight, /If it find heaven, must find it out to-night" (3.1. 157-158). The irony is that by murdering Banquo, Macbeth is sending himself to destruction.
He is allowing his mental state to further deteriorate because up until this point his symbiotic relationship with Lady Macbeth has helped keep Macbeth calm. She is able to encourage him to stay confident and not let his fear show: "Only look up clear; /To alter favour ever is to fear: /Leave all the rest to me" (1.5. 79-81). The moment Macbeth decides to murder Banquo and deliberately keep it from his wife he is ruining the balance in the relationship (Hayes).
Once Lady Macbeth feels betrayed and no longer keeps Macbeth grounded, his mind starts going insane. The murder of Banquo reveals a new side of Macbeth where no guilt is involved. Macbeth's mind is willing to do what it takes to ensure that he will not get caught. Once Banquo is gone there is no fear left. Macbeth has the opportunity to focus on his passionate ambition of ruling Scotland. In order to feel secure and powerful as the king, Macbeth knows that any new threats to the position must be eliminated.
His mind convinces him that he cannot rest until he is sure that he is safe. This drives him to once again visit the three witches so that they can give him more predictions (4.1. 50-61). The witches reveal a very vague and contradicting prophecy to Macbeth. They warn him to beware Macduff, but also assure him that no one born from a woman will harm him (4.1.
77-87). One would think that Macbeth is safe from Macduff because he was born from a woman and yet Macbeth too easily decides that Macduff should not live: "Then live, Macbeth: what need I fear of thee? / But yet I'll make assurance double sure. / And take a bond of fate: thou shalt not live (4.1. 88-90). This proves how much passion changes Macbeth.
When Macbeth had to kill Duncan it was hard and he could not do it without Lady Macbeth pushing the idea. Now, however, even though he does not need to kill Macduff he has a carefree, "it is only one more life", attitude. He does not appreciate life. He is no longer just willing to kill someone to cover up his acts. It reaches a point where he is murdering just for the sake of murdering. The fire inside Macbeth keeps growing and when Macbeth is expressing his inner thoughts, he admits that whatever impulse comes to his heart, he makes a reality: "The very firstling's of my heart shall be / The firstling's of my hand" (4.1.
161-162). The madness of Macbeth is now obvious to most of the people around him and it becomes clear that although he is king, his life is a disaster. It is too late, however, for Macbeth to try and change his ways so his passion keeps getting stronger, setting him up for a bigger downfall. There is a sudden end to everything, however, as Macbeth hears of Lady Macbeth's death. He realizes there is nothing left to live for (5.5.
21-30). The audience has a moment of catharsis and understands that his desire to live may be over. If anything, however, the tragedy drives Macbeth to fight for his life when Macduff and Malcolm come to kill him. Even when Macbeth understands that Macduff can in fact kill him he proves he will embrace his passionate life to the last moment and fight for everything he worked to achieve (5.8. 32-39).
At his deathbed he chooses that his passion is more important than his reason. When Macbeth makes the transition of thinking with reason to thinking with passion, he implies that he is not turning back and will keep going till the end. His scattered mind drives him to a point where he is so determined and he cannot stop. It is so important for the world to realize and understand this as a very dangerous situation. Too many times in modern life circumstances a power-driven, single-minded, ambitious group or person has taken their insanity too far. Hitler (in the 1930's), a scary and disturbing man, uses his insanity to convince the world that what he does is acceptable.
He does not value life, domestic relationships within families, or morals. If the world understands that his ambitions are too real to stop, and that he is determined and willing to do what it takes to get his way, then maybe society can take control of the dangerous circumstances. By the time the world does realize, it is too late. Macbeth is not just meant to be an entertaining story. It has a purpose. It is the responsibility of every reader to decide what the play means and why Shakespeare writes it.
If Macbeth allows for positive changes to be made and for people to think reasonably and logically then Macbeth is a success. It should teach readers to sense ambition in others, and understand that it can have negative effects. Passion is an amazing and intriguing part of life but if abused will have uncertain results. The world can be a passionate and incredible place if everyone understands that it must be used appropriately and for positive reasons. Macbeth is a lesson to slow down and appreciate the choices one gets to make, understanding that one decision will make a difference in the rest of one's life.
Bibliography
or Consulted Hayes, Elliot. "Reflections on the Role of Macbeth: Nicholas Pennell". Tillyard, E.M.W. The Elizabethan World Picture. New York: The Macmillan Company, 1944.
Shakespeare, William. Macbeth. Toronto: Harcourt Brace, 1988.