Periods Of Japanese Art example essay topic
Starting with the Archaic period, Japan was a prehistoric society where its art consisted of well crafted vessels, vases, and tools. Most vessels and vases were constructed to look like they were surrounded in rope but in reality it was part of the ceramic and clay pieces. They lived in pit dwellings with thatched roofs on bamboo stilts. The Japanese did however build shrines in this period. These shrines were consisted of many buildings and were concentrated around a central axis. The symmetrical system was off set by a gate and a building were only the deity could dwell.
The most famous of these Shrines is the Ise Shrine. This shrine is 55 yards by 127 yards and is completely fenced in. The Shrine is also made entirely out of wood! With the building of shrines the Japanese moved into a new period, the Asuka period.
The religion of the people changed to Buddhism which also changed the focus of art. Bronze sculptures of religious figures (Buddha) sprang up. This period was very short lived. Still changing though Japan moves into the Heian Period.
The Heian period began at the beginning of the ninth century. The Japanese werent just practicing Buddhism, they were practicing Esoteric Buddhism. Japan also stopped communication with China, so th Japanese art wasnt influenced by China. Paintings began to take over the frames, the scenes were viewed from elevation and dull colors and flat surfaces where used. This style was known as Yamato-e.
Yamato-e was greatly used for the illustration of stories. This style was cold and lifeless. But things began to look up towards the end of the period. Towards the end of the period the dull large paintings were replaced with pictures full of curves, grace and most importantly color. The Japanese Art always changing and expanding mostly because of the influence of the rulers.
At the beginning of the Kamakura period a new ruler took over Japan. In this period Artists emphasized on realism! The realism was so life like even the simplest of details was expressed. Also a more advanced Yamato-e style was developed with more color and softer lines.
Also with realism came a type of formalized religious art where the figures of Buddha became more uniformed. Yet, civil unrest lead to another change of rulers. And with this change of rulers came the Ashikaga period. Communication with China was restored and once again China had a huge impact on Japanese Art. Yamato-e which was developed while China and Japan were unable to communicate was diminished and hardly used. But Japan did begin to develop the Tea Ceremony.
The Tea ceremony was taken from China but Japan adopted this ceremony and made it there own and added much grace and poise to the event. One author said the purpose of a tea ceremony "is to produce courtesy, politeness, modesty, moderation, calmness, peace of body and soul, without pride or arrogance, fleeing from all ostentation, pomp, external grandeur, and the magnificence". Basically, a kind of get away from the real world and place of calmness and tranquillity. In Japan No two tea houses are alike, they harbor the same philosophies and the same tradition but each on is unique, one theme that is the same throughout all teas houses is the representation of the love of nature. China may have started the tea ceremony but Japan embraced it, added to it and made it their own, and still today it is practiced.
And last but certainly not least the Ego Period the period which brings us from the end of the Ashikaga period to the present. I find that Japanese art today is very flat and very symmetrical and balanced. For someone who likes order and balance in life would certainly go for this kind of art, very clear and crisp! Still today, the Shrines are being re-built the Ice Shines has be re-built sixty times, its amazing to keep up with something for that amount of time.
But it still stands today. Just like Japanese Art, maybe it didnt make a huge impact on the world as a whole but it still survives today
Bibliography
Kleiner Fred and Richard Taney, Gardners Art through the Ages 10th ed. Harcourt Brace College Publishers. Orlando 1996.