Tablet VI Gilgamesh And Enkidu's Fame example essay topic
This lesson underscores his humanity, for often we cannot truly learn a lesson until we have first erred in the wrong direction. In the first half of the epic, Gilgamesh struggles with his quest. In tablet I the reader does not know what Gilgamesh's purpose is, but they are lead to understand his search is external. The reader learns of Enkidu's creation, but does not know yet his real purpose. The first time the reader learns that Gilgamesh seeks his immortality externally, is when he tells his mother of his dream, 'A star fell from the heavens, a meteorite, and lay on the empty plain outside Uruk. ' ' This dream is about Enkidu's creation.
The implication of this quote is subtle, but visible; it occurs when he says that the meteorite is on the plain, 'outside Uruk. ' ' Thus his 'outside' or external quest commences. Tablets II and reveal Enkidu's purpose. The reader now knows that Enkidu is on Gilgamesh's side. They also know what Gilgamesh wants, immortality. Enkidu's purpose is to help Gilgamesh reach this immortality through his achievements, his fame.
The reader is made aware of Gilgamesh searching for immortality when he and Enkidu plan to kill the guardian Huwawa, and cut down the largest cedar tree in the cedar forest. This may simply sound a heroic task, but Gilgamesh shows that it's how he believes he can become immortal; he says, 'My fame will be secure to all my sons. ' ' In essence he is saying that once he finishes this task, this will be enough to make people never forget him. In tablets IV and V Enkidu's purpose as a catalyst becomes more evident, and Gilgamesh completes the task of killing Huwawa.
As Enkidu and Gilgamesh journey towards Huwawa, Gilgamesh has dreams which frighten him. Enkidu always tell him the same thing after he has the dreams. He tells him, 'The dream you had tonight is fortunate. ' ' He does this to comfort Gilgamesh and encourage him on his quest. In Tablet VI Gilgamesh and Enkidu's fame makes them bolder, even overconfident; Gilgamesh thinks that what he has already done is enough for him to be immortal. After killing the bull of heaven, Enkidu in his arrogance, says to Ishtar, 'I would do the same to you what you have seen me do to the Bull of Heaven.
' ' They have come to believe that they are greater even than the gods, the classic sin of hubris. At the end of this passage it is evident that Gilgamesh sees himself to be already immortal when he says, 'I am the strongest. My fame will be secure to all my sons... ' ' He believes that he has made enough of a name for himself to ensure forever that his sons will have continued fame. Enkidu dies in Tablet VII, causing Gilgamesh to transform his quest. He does not endure this transformation immediately.
He first mourns his companion's death all throughout Tablet V. In Tablet IX Gilgamesh realizes that he could have just as easily been killed; he now wants to never die. He now knows that he is not a god, and that the real gods have extraordinary powers over even him. He is now exceptionally fearful of death; this is seen in his repetition of, 'Enkidu has died. Must I die too? Must Gilgamesh be like that?' ' This fear of death, of nothingness, drives Gilgamesh to seek more desperately alternative routes to immortality. In Tablet X Gilgamesh is told that immortality is impossible.
A tavern keeper tells him that he will die, so he should, 'Eat and drink your fill of the food and drink men eat and drink. Let there be pleasure and dancing. ' ' Gilgamesh cannot accept this simplistic advice and does not listen to this tavern keeper, he simply continues his quest. Tablet XI conveys a critical concept in Gilgamesh's evolution. He meets Utnapishtim and learns from him of a plant that can rejuvenate life. Gilgamesh obtains the plant, but a serpent steals it from him, and Gilgamesh returns to Uruk empty handed.
Suddenly he sees the city for what it is for the first time. He realizes that Uruk is his life's purpose. Gilgamesh's first sign of realization occurs when he speaks of his quest to the boatman, telling him of what he has finally found. He says, '... what I found was a sign telling me to abandon the journey and what it was I sought for.
' ' He finally sees that originally his quest was misdirected. His path was wrong, but not pointless. Gilgamesh now senses what he must do. Upon his return to the city, the city where he began, he says to the boat man, 'Study the brickwork, study the fortification; climb the great ancient staircase to the terrace; study how it is made; from the terrace see the planted and fallow fields, the ponds and the orchards... measure Uruk, the city of Gilgamesh. ' ' This is almost identical to the epic's beginning, but now it is Gilgamesh's realization, for he takes pride in his own extraordinary works. He can now truly begin his path to enlightenment, a path within himself.
The first half of this epic enables the reader to observe Gilgamesh struggling to make a name for himself and to reach immortality. In the final half Gilgamesh attempts to drive his immortality through questioning others. Gilgamesh first attempts to find his purpose on his own, but failing in that effort turns to others for it. In clear contrast the first and second halves of this epic convey the universal truth that happiness, meaning and purpose to ones life are found internally, not externally.
But we must not forget that the story of Gilgamesh is a common one. How often does man look externally for happiness when it is best found within? Meaning in life more often comes from what one has done with that life, and how that life has affected the lives of those about us. The journey of discovering oneself and one's values is not in achieving immortality, but is in life well lived.
Thats it, but I havent got a grade back yet, so i dont know how good it is.