Only Comical Stereotype Aristophanes example essay topic

LYSISTRATA, a comedy of stereotypes The playwright Aristophanes wrote about an ancient Greece, Athens in particular, during a time of constant warfare. His play "Lysistrata" is an attempt to amuse while putting across an anti-war message. In fact even the naming of the play is an anti-war message of sorts. The word "lysistrata" means, "disband the army" (Jacobus 162). Aristophanes was a crafty writer; he creates a work of art that causes his audience to think about the current state of affairs in their city.

He points out that there is a major threat to Athens when all the good, young fighters are sent off to war. Aristophanes ache ives this aim by using stereotypical characterizations of women to show how utterly defenseless Athens is without their young men at home. His message is a bit subliminal in nature but still a heady one. Aristophanes realized that audiences don't come to plays to be preached at but to be entertained. To this end, he uses comedy and comical characterizations to delight the spectators / readers. The principal form of comical characterization he depended on was stereotyping.

As the main theme of the play, the female stereotype of woman's only power base being sex was strongly employed. The main character Lysistrata and all the women in Greece band together to essentially take over the city states to end the Peloponnesian war. They do this by exploiting their stereotypical power source, sexuality. This "power source" would not be successful if not for the women of "Lysistrata" playing into the male stereotype that men cannot control their lust for women and will do anything for sex. The character, Lysistrata, encourages all the women to use their attractiveness and "feminine wiles" to make the men want them sexually. They even use a naked statue to finally get the men to agree to a treaty.

An interesting note, during Lysistrata's speech at the peace treaty conference, the men don't pay any attention to her words. Rather, they stare at the nude statue until they become so totally sexually aroused that they sign the treaty just to get the women back into bed with them. Sexual tensions however are not the only comical stereotype Aristophanes employed in his play to build his characters. The women that band together with Lysistrata are portrayed as interacting with each other in such a way that the typical stereotypes of the time period are upheld. For example, the women are shown to be drunken, superficial gossips. At the beginning of the prologue, Kalonike mentions a woman from The age who is most likely, "a sheet or so in the wind" when she arrives.

And before the other women start to arrive, Lysistrata and Kalonike talk about shopping, clothes, and perfume. They speak of making sure they don't frown so their faces stay attractive. Then when another woman, Lamp ito, arrives Lysistrata and Kalonike tease her for her shapely figure and buttocks. The women then turn their attentions to making comments about the body of a woman from Corinth and a woman called Ismenia. All of these actions support the supposition that women are only concerned with superficiality and idle gossip.

But these are not the only typical stereotypes that women fell under in ancient Greece. At this time, women were also considered to be drunkards. Aristophanes plays along with this stereotype several times in the play. At the very beginning of the play, Lysistrata is furious with her countrywomen for being late to the meeting she has called. She comments that, "If someone had invited them to a festival of Bacchus say / you couldn't get through the streets, what with the drums and dancing.

But now not a woman in sight! (Aristophanes, Prologue lines 1-4) In this very same prologue, the women swear an oath to do nothing with the men until the men give them what they want. To seal this oath, the women drink from a "big black wine-bowl" (Aristophanes, Prologue line 161) "filled with a gallon or so of Th asian". (Aristophanes, Prologue. 162).

Later in the play, the Commissioner and Lysistrata have a verbal exchange in which Lysistrata says, "Maybe now you " ll admit / that a woman knows something about spirit' (Aristophanes 1.73-74). The Commissioner bluntly replies, "Spirit enough, especially spirits in bottles!" (Aristophanes 1.75-76). All the above examples underscore the belief that women are nothing but drunks who are superficial gossips. Aristophanes wanted to entertain his audience. He wanted them to enjoy what they were watching but also to see beyond the message of anti-war. With the play "Lysistrata", I believe he was successful.

He penned a work with laughter and soul. He entertained the audience with comedy and recognizable character stereotypes. He then slipped in his anti-war message by dramatizing the possibility of what could happen if Athens continued on its path of continued warfare and destruction.

Bibliography

Aristophanes, Lysistrata, The Bedford Introduction to Drama, Ed. Lee A. Jacobus, 4th ed. Boston; Bedford / St. Martin's, 2001.
164-183 Jacobus, Lee A. "Lysistrata". Introduction. The Bedford Introduction to Drama, Ed. Lee A. Jacobus. 4 the. Boston: Bedford / St. Martin's, 2001.